{"title":"爱我的间谍:本杰明·克里斯滕森与丹麦无声间谍情节剧","authors":"Casper Tybjerg","doi":"10.1386/jsca_00003_1","DOIUrl":null,"url":null,"abstract":"This article examines the spy melodrama films produced in Denmark from 1909 to 1918, 21 in all. The best-known (and one of only two to survive) is Benjamin Christensen’s Det hemmelighedsfulde X (Sealed Orders) (1914). A coda will briefly discuss the only pre-1945 spy talking film, Damen med de lyse Handsker (The Lady with the Light Gloves) (1942), also directed by Christensen. The article employs an approach similar to James Chapman’s contextual film history, examining the Danish silent spy melodramas in the context of political climate and genre, but with an emphasis on the concerns of film producers and practitioners. Surviving plot summaries, which exist for all 21 films, reveal a considerable degree of consistency in the storylines. The article argues that the melodramatic elements found in nearly all the films suggest a more female-oriented audience appeal than that of many later spy fictions.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The spy who loved me: Benjamin Christensen and the Danish silent spy melodrama\",\"authors\":\"Casper Tybjerg\",\"doi\":\"10.1386/jsca_00003_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines the spy melodrama films produced in Denmark from 1909 to 1918, 21 in all. The best-known (and one of only two to survive) is Benjamin Christensen’s Det hemmelighedsfulde X (Sealed Orders) (1914). A coda will briefly discuss the only pre-1945 spy talking film, Damen med de lyse Handsker (The Lady with the Light Gloves) (1942), also directed by Christensen. The article employs an approach similar to James Chapman’s contextual film history, examining the Danish silent spy melodramas in the context of political climate and genre, but with an emphasis on the concerns of film producers and practitioners. Surviving plot summaries, which exist for all 21 films, reveal a considerable degree of consistency in the storylines. The article argues that the melodramatic elements found in nearly all the films suggest a more female-oriented audience appeal than that of many later spy fictions.\",\"PeriodicalId\":42248,\"journal\":{\"name\":\"Journal of Scandinavian Cinema\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Scandinavian Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jsca_00003_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Scandinavian Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jsca_00003_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
摘要
本文考察了1909年至1918年在丹麦制作的间谍情节剧电影,共21部。最著名的(也是仅存的两部作品之一)是本杰明·克里斯滕森的《封令》(Det hemmelighedsfulde X)(1914年)。结尾部分将简要讨论1945年前唯一一部间谍谈话电影《戴着轻手套的女士》(Damen med de lyse Handsker,1942),该片也是由克里斯滕森执导的。本文采用了一种类似于詹姆斯·查普曼背景电影史的方法,从政治气候和类型的角度审视丹麦无声间谍情节剧,但强调了电影制片人和从业者的关注。所有21部电影都有幸存的情节摘要,揭示了故事情节的一致性。文章认为,几乎所有电影中都有情节剧元素,这表明与后来的许多间谍小说相比,这些电影更具女性导向的观众吸引力。
The spy who loved me: Benjamin Christensen and the Danish silent spy melodrama
This article examines the spy melodrama films produced in Denmark from 1909 to 1918, 21 in all. The best-known (and one of only two to survive) is Benjamin Christensen’s Det hemmelighedsfulde X (Sealed Orders) (1914). A coda will briefly discuss the only pre-1945 spy talking film, Damen med de lyse Handsker (The Lady with the Light Gloves) (1942), also directed by Christensen. The article employs an approach similar to James Chapman’s contextual film history, examining the Danish silent spy melodramas in the context of political climate and genre, but with an emphasis on the concerns of film producers and practitioners. Surviving plot summaries, which exist for all 21 films, reveal a considerable degree of consistency in the storylines. The article argues that the melodramatic elements found in nearly all the films suggest a more female-oriented audience appeal than that of many later spy fictions.
期刊介绍:
Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.