系统地协调合唱：G.H.Stölzel的《简明而全面的指导》的翻译，约1719–1749年

IF 0.4 2区艺术学 0 MUSIC

Music Theory Online Pub Date : 2020-09-01 DOI:10.30535/MTO.26.3.7

Derek Remeš

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引用次数: 0

摘要

这篇文章提供了德国中部作曲家和卡佩尔梅斯特的一篇已知手稿论文的第一个英文译本，该论文名为《Kürzer und gründliche Unterricht》（《简明而全面的教学》，约1719–49年）。Stölzel的方法从纯低音的角度构建了推测理论（三和弦口琴和制表传统），以便为如何在原始合唱旋律中创造低音和中音提供简单的指导。在论文的后半部分，Stölzel不仅用纯音来描述和声，还用对位法来描述。他通过用传统术语“代理人”和“病人”来解释各种不和谐的间歇星座，这两个词描述了不和谐切分音中的两种声音。因此，Stölzel的论文具有历史和实践价值，因为他的合唱协调方法可以为当今的学生和教师提供受欢迎的指导。DOI:10.30535/mto.26.3.7第26卷第3期，2020年9月版权所有©2020音乐理论学会

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Harmonizing Chorales Systematically: A Translation of G. H. Stölzel’s Kurzer und gründlicher Unterricht (Brief and Thorough Instruction), ms. c.1719–1749

This article provides the first English translation of a li le-known manuscript treatise by the central-German composer and Capellmeister, Go fried Heinrich Stölzel (1690–1749), titled Kürzer und gründliche Unterricht (Brief and Thorough Instruction, ca. 1719–49). Stölzel’s method frames speculative theory (trias harmonica and the tabula tradition) practically in terms of thoroughbass in order to provide simple instruction on how to invent the bass and middle voices to an original chorale melody. In the second half of the treatise, Stölzel uses thoroughbass to describe not only harmony, but also counterpoint. He does so by explaining various dissonant intervallic constellations in terms of the traditional terms “agent” and “patient,” which describe the two voices involved in a dissonant syncopatio. Stölzel’s treatise thus has both historical and practical value, since his method of chorale harmonization can provide welcome guidance for today's students and pedagogues. DOI: 10.30535/mto.26.3.7 Volume 26, Number 3, September 2020 Copyright © 2020 Society for Music Theory

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来源期刊

Music Theory Online MUSIC-

CiteScore

1.70

自引率

25.00%

发文量

审稿时长

42 weeks

期刊介绍： Music Theory Online is a journal of criticism, commentary, research and scholarship in music theory, music analysis, and related disciplines. The refereed open-access electronic journal of the Society for Music Theory, MTO has been in continuous publication since 1993. New issues are published four times per year and include articles, reviews, commentaries, and analytical essays. In addition, MTO publishes a list of job opportunities and abstracts of recently completed dissertations.