扫烟囱的黑暗:狄更斯、插图画家和消除种族复杂性

IF 0.7 1区 文学 N/A LITERATURE, BRITISH ISLES
C. Lehmann
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引用次数: 1

摘要

摘要:在这篇文章中,我观察了狄更斯的文本和他的插画家的绘画是如何共同消除维多利亚时代伦敦种族复杂的现实的。我探索了各种类型的烟囱清扫器的表现如何将清扫器置于对种族和阶级的焦虑之间。通过观察五一游行的历史,我认为,当游行出现在狄更斯的作品中时,黑人的存在被故意抹去了。然后,我在狄更斯式的插图中追踪扫掠物,以表明每次扫掠物出现时,它们都带有扫掠物的视觉标记——抛光的帽子、刷子,通常还有袋子——以安慰(白人)观众和读者,他们在街上没有看到黑人儿童。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Blackness of the Chimney Sweep: Dickens, Illustrators, and Erasing Racial Complexity
Abstract:In this article I look at how Dickens's text and his illustrators' drawings work together to erase the racially complex reality of Victorian London. I explore how the representations of the chimney-sweep in a variety of genres situate the sweep at a nexus of anxieties about race and class. By looking at the history of representing the May Day Parade, which showed Black participants, I argue that when the parade appears in Dickens's work, there is a deliberate erasure of Black presence. I then trace the sweep in Dickensian illustration to show that every time the sweep appears they carry the visual markers of the sweep – burnished cap, brush, and often bag – to comfort the (white) viewer and reader that they are not seeing a Black child on the street.
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来源期刊
DICKENS QUARTERLY
DICKENS QUARTERLY LITERATURE, BRITISH ISLES-
CiteScore
0.20
自引率
16.70%
发文量
33
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