电影《砰砰俱乐部》中的职业记者——基于符号学分析的罗兰·巴特兹

M. Lutfi, W. Warto
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引用次数: 0

摘要

《砰砰俱乐部》是一部2011年的电影,剧情类型改编自4位战地摄影师经历的真实事件。这部由导演史蒂文·西尔弗拍摄的电影不仅涵盖了戏剧,还展示了四位摄影师是如何实际经历所发生的事情的。这项研究的对象是电影《砰砰俱乐部》中讲述的四位战地摄影师。主要数据是从与记者报道和报道事件的专业性相关的场景中获得的,作为最初的分析过程。这些场景是用罗兰·巴特的符号学来分析的,这种符号学与伊斯兰教的专业精神相联系,即具有Raululah的四个特征,即Sidiq、Amanah、Fathonah和Tabligh。几个场景显示,记者处于危险的境地,靠近炮火、利器、打斗、枪支和其他东西。内涵的含义意味着,在任何情况和条件下,记者都必须能够按照新闻道德准则以任何方式描述、报道和收集数据,因为这已经成为对记者的要求。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Profesionalisme Jurnalis Dalam Film The Bang-Bang Club Berdasar Analisis Semiotika Roland Barthez
The Bang Bang Club is a 2011 film with a drama genre adapted from real events experienced by 4 war photographers. This film by director Steven Silver does not only cover drama but also shows how the 4 photographers actually experienced what happened. The subjects of this research were the four war photographers who were told in the film The Bang-Bang Club. Primary data is obtained from scenes related to the professionalism of a journalist in covering and reporting an event as the initial process of analysis. The scenes were analyzed using Roland Barthes' semiotics which is associated with professionalism according to Islam, in this case, namely holding the four characteristics of Raulullah, namely Sidiq, Amanah, Fathonah and Tabligh. Several scenes show the journalist in a dangerous situation, close to fire, sharp weapons, fighting, firearms, and others. The meaning of connotation means that in any situation and condition, a journalist must be able to describe, report, and collect data in any way in accordance with the journalistic code of ethics, because this has become a demand for a journalist.
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