“两个国王”在东洪吉亚法院?

IF 0.8 Q2 AREA STUDIES
Samya Ghosh
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引用次数: 0

摘要

本文将布拉马普特拉河谷(1680–1830)的通洪吉亚国王的宫廷,即今天的阿萨姆邦,置于18世纪南亚宫廷融合和回应的空间中。它研究了东洪吉亚王室(1714-44)的一个特殊时刻,当时朝臣、编年史家和诗人用风格化的爱情小说的语言表达了一种独特的政治安排(“两个国王”)。这篇文章试图通过观察一组文本和视觉材料来理解“两个国王”问题,并将其置于18世纪南亚边境法院工作的“多层文化符号学”的背景下,该法院松散地位于莫卧儿-印度斯坦摇摇欲坠的建筑内。为此,本文利用其研究结果,为18世纪初南亚正在进行的关于宫廷文化的讨论增添了新的见解,并强调了研究情感对理解政治实践的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Two Kings” in the Tungkhungia Court?
This article situates the court of the Tungkhungia kings of Brahmaputra Valley (1680–1830), in present day Assam, in the space of courtly convergence and response in eighteenth-century South Asia. It studies a particular moment in the Tungkhungia royal court (1714–44) when a unique political arrangement (“two kings”) was expressed by courtiers, chroniclers, and poets in the language of a stylized fiction of love. The article tries to make meaning of the “two kings” problem by looking at a set of textual and visual materials and situates them within a context of “multilayered cultural semiotics” at work in borderland courts in eighteenth-century South Asia, loosely held within the crumbling edifice of Mughal Hindustan. Toward this end, the article uses its research findings to add fresh insights on the ongoing discussion on courtly culture in early eighteenth-century South Asia and highlights the importance of studying emotions towards understanding political practice.
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CiteScore
0.90
自引率
0.00%
发文量
54
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