La pintura de Martín Ramírez: la existencia en los intersticios. Enfermedad, confinamiento, ciudadanía y la vida entre fronteras

does the US cultural community, in part due to his lack of intellectual interaction with them. Museums have scarcely been interested in his work, and the main ones clamoring for it have been collectors, marchands , and auction houses. This article analyzes Ramírez’s place in the artistic canon, his cultural identity, and the artist as a human being. It studies his work, fundamentally available on the internet, which functions as a precarious and transient, but also massive, museum.