复制室:想象现代早期伦敦的胡格诺派图书馆

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
Kathryn Gucer
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引用次数: 0

摘要

这篇文章阐明了早期现代网络、图书史和图书馆史之间未经探索的交叉点。它专注于一本书信本,这是1643年至1650年法国新教伦敦教会信件的连续记录。保存这一不同寻常记录的教会官员发现,他们将自己的图书馆及其书籍想象成英国胡格诺派教堂一个充满活力的信息中心的工作部分。文章运用微观历史(即似是而非的推理)和文学批评的方法,揭示了复制到书信本中的信件与原始信件不同的另一种阅读方式,追溯了教会官员思想中借阅图书馆的起源。在阐明这本书信集的影响时,这篇文章将长期被视为边缘化少数群体的胡格诺派置于全球历史的聚光灯下,追溯了人们、思想和商品在新想象的空间中的流动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Copy Room: Imagining a Huguenot Library in Early Modern London
This essay illuminates an unexplored intersection between recent work on early modern networks, book history, and the history of libraries. It focuses on a letter book, a continuous record of the French Protestant Church of London's correspondence from 1643 to 1650. The church officials who kept this unusual record found themselves imagining their library and its books as working parts in a vibrant information hub for the Huguenot churches in England. Using methods from microhistory (i.e., plausible inference) and literary criticism to uncover an alternative reading of the letters copied into the letter book, as distinct from the original letters, the article traces the beginnings of a lending library in the church officials’ thinking. In illuminating the letter book's impact, the essay places Huguenots, long treated as a marginalized minority, in the spotlight of a global history, which traces the movements of people, ideas, and goods across newly imagined spaces.
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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