{"title":"交叉凝视。日本和欧洲之间的北欧建筑和旅行建筑师笔记","authors":"Ramón Rodríguez Llera, Iván Rincón-Borrego","doi":"10.24192/2386-7027(2020)(v14)(05)","DOIUrl":null,"url":null,"abstract":"The research starts from the idea that traditional Japanese architecture has played an important role in the development of modern architecture in Europe, especially in the case of domestic architecture. The objective is to summarize this fact, widely studied in the United States due to the work of Frank Lloyd Wright. However, this fact has only been partially analysed about Europe, especially during the second half of the 20th century and in relation to the Nordic countries. How did Nordic architects find inspiration in the East? What drew them to your tectonic culture? How did they apply the Japanese aesthetic to their own designs? While sometimes only formal elements were used, without much more depth, in other cases, the principles of Orientalism, Sukiya architecture or the Villa Katsura as a reference, enriched domestic architecture designs. Such is the case of Jorn Utzon, Halldor Gunnlogsson, Arne Korsmo or Sverre Fehn, among others; who were the leaders of a current of modern Eastern syncretism, which owes its origins to the vision of the Central European pioneers who visited Japan, to the influence of Erik Gunnar Asplund and, above all, to the legacy of Tetsuro Yoshida.","PeriodicalId":53421,"journal":{"name":"Revista de Informatica Teorica e Aplicada","volume":" ","pages":"102-109"},"PeriodicalIF":0.0000,"publicationDate":"2020-11-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Miradas cruzadas. Notas sobre arquitecturas nórdicas y arquitectos viajeros entre Japón y Europa\",\"authors\":\"Ramón Rodríguez Llera, Iván Rincón-Borrego\",\"doi\":\"10.24192/2386-7027(2020)(v14)(05)\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The research starts from the idea that traditional Japanese architecture has played an important role in the development of modern architecture in Europe, especially in the case of domestic architecture. The objective is to summarize this fact, widely studied in the United States due to the work of Frank Lloyd Wright. However, this fact has only been partially analysed about Europe, especially during the second half of the 20th century and in relation to the Nordic countries. How did Nordic architects find inspiration in the East? What drew them to your tectonic culture? How did they apply the Japanese aesthetic to their own designs? While sometimes only formal elements were used, without much more depth, in other cases, the principles of Orientalism, Sukiya architecture or the Villa Katsura as a reference, enriched domestic architecture designs. Such is the case of Jorn Utzon, Halldor Gunnlogsson, Arne Korsmo or Sverre Fehn, among others; who were the leaders of a current of modern Eastern syncretism, which owes its origins to the vision of the Central European pioneers who visited Japan, to the influence of Erik Gunnar Asplund and, above all, to the legacy of Tetsuro Yoshida.\",\"PeriodicalId\":53421,\"journal\":{\"name\":\"Revista de Informatica Teorica e Aplicada\",\"volume\":\" \",\"pages\":\"102-109\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-11-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista de Informatica Teorica e Aplicada\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24192/2386-7027(2020)(v14)(05)\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Computer Science\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista de Informatica Teorica e Aplicada","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24192/2386-7027(2020)(v14)(05)","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Computer Science","Score":null,"Total":0}
Miradas cruzadas. Notas sobre arquitecturas nórdicas y arquitectos viajeros entre Japón y Europa
The research starts from the idea that traditional Japanese architecture has played an important role in the development of modern architecture in Europe, especially in the case of domestic architecture. The objective is to summarize this fact, widely studied in the United States due to the work of Frank Lloyd Wright. However, this fact has only been partially analysed about Europe, especially during the second half of the 20th century and in relation to the Nordic countries. How did Nordic architects find inspiration in the East? What drew them to your tectonic culture? How did they apply the Japanese aesthetic to their own designs? While sometimes only formal elements were used, without much more depth, in other cases, the principles of Orientalism, Sukiya architecture or the Villa Katsura as a reference, enriched domestic architecture designs. Such is the case of Jorn Utzon, Halldor Gunnlogsson, Arne Korsmo or Sverre Fehn, among others; who were the leaders of a current of modern Eastern syncretism, which owes its origins to the vision of the Central European pioneers who visited Japan, to the influence of Erik Gunnar Asplund and, above all, to the legacy of Tetsuro Yoshida.