从自然到艺术:阿克谢基的按钮建筑

IF 0.2 0 ART
Lokman Tay
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However, the local people, who are intertwined with nature and the environment, has managed to transform these two materials, which are incompatible with each other, into art with an extraordinary craftmanship. This solution produced by the local people can be defined as a dry masonry wall made of rubble stone, supported by longitudinal and vertical wooden beams. Since the edges of the beams protrude 20-25 cm outward, this technique is referred ‘button wall’ by the local people. \nThe implementation of this masonry system in traditional domestic architecture in Akseki and its vicinity has laid the groundwork for the buildings mentioned to be called button houses. We also decided to call other buildings constructed with this technique as button buildings. 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引用次数: 0

摘要

这项研究涵盖了各种建筑类型的一些案例,这些建筑类型大多发生在安塔利亚东北部的Akseki镇,并通过当地一种名为“纽扣砌体”的技术建造。众所周知,建筑材料的选择是由建筑传统和经济因素以及气候、地理等环境条件决定的。阿克塞基位于金牛座山脉的山坡上,地理位置多山,森林茂密。因此,这种情况下,木材和碎石作为建筑材料的特点远远超过其他潜在成分。乍一看,在没有任何粘合材料的情况下将木材和碎石一起使用似乎是不可能的。然而,与自然和环境交织在一起的当地人,却以非凡的工艺将这两种互不相容的材料转化为艺术。当地人生产的这种解决方案可以定义为由毛石制成的干砌石墙,由纵向和垂直木梁支撑。由于梁的边缘向外突出20-25厘米,这种技术被当地人称为“按钮墙”。这种砖石系统在阿克塞基及其附近的传统家庭建筑中的实施,为上述被称为纽扣屋的建筑奠定了基础。我们还决定将用这种技术建造的其他建筑称为按钮建筑。我们对阿克塞基所有村庄进行的实地调查共确定了24座建筑,其中包括9个村庄会议室、6座清真寺、4栋学校建筑、2座工厂、2座hans和1座宗教学校,这些建筑都是用纽扣砌石技术建造的。由于本研究的主要目的是引起人们对按钮砌体技术在该地区各种类型建筑中的使用的关注,因此目录中包括了六栋建筑,每个建筑群一个案例。其余建筑将在讨论章节中介绍。然而,在实地调查中发现,许多采用纽扣砌石的清真寺被拆除,取而代之的是新建清真寺。乡村会议室的情况几乎相似。因此,我们在实地调查中发现的这些建筑只占幸存至今的纽扣砖石建筑的一小部分。我们以前曾出版过一些被确认的建筑。然而,在本研究中,首次对米尔斯、汉斯、宗教学校和学校建筑进行了处理。因此,本文将对该地区通过按钮砌体技术建造的所有建筑进行集体评估。由于经济原因,居住在Akseki村的人口大幅减少。有些村庄完全荒芜。这种情况导致建筑物失去生命并倒塌。在即将到来的时期,以畜牧业为基础的乡村经济应该复苏,这些环保的当地人应该回到他们的村庄。这将是支持村庄按钮建筑健康的重要步骤之一。此外,这些阿克塞基特有的案例应按照其原始形式,用传统方法进行修复,以呈现在旅游活动中,从而成为当地人的收入来源。乡村生活应该通过要采取的措施变得有吸引力。只有通过这种方式,才能将阿克塞基这些土耳其民间建筑和文化的独特代表转移给后代。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
FROM NATURE TO ART: THE BUTTON BUILDINGS OF AKSEKI
This study covers some cases in various building types which are mostly encountered in Akseki, a town in the northeast of Antalya, and constructed through a local technique called ‘button masonry’. As known, the material choice in architecture is determined with architectural traditions and economic factors along with such environmental conditions as climate and geography. Situated on the slopes of Taurus Mountains, Akseki has a mountainous and forested geography. Thus, this situation features wood and rubble stone as construction materials much more than other potential components. The usage of wood and rubble stone together without any binding material does not seem to be possible at first glance. However, the local people, who are intertwined with nature and the environment, has managed to transform these two materials, which are incompatible with each other, into art with an extraordinary craftmanship. This solution produced by the local people can be defined as a dry masonry wall made of rubble stone, supported by longitudinal and vertical wooden beams. Since the edges of the beams protrude 20-25 cm outward, this technique is referred ‘button wall’ by the local people. The implementation of this masonry system in traditional domestic architecture in Akseki and its vicinity has laid the groundwork for the buildings mentioned to be called button houses. We also decided to call other buildings constructed with this technique as button buildings. The field survey conducted by us in a way that involves all the villages of Akseki has determined 24 edifices in total, which are of nine village chambers, six mosques, four school buildings, two mills, two hans and a madrassah, constructed with the technique button masonry. Since the main objective of this study is to attract attention to the usage of the technique button masonry on the various types of building in the region, six edifices, one case from each building group, are included in the catalogue. The rest of the buildings are referred in the discussion chapter. However, it was found out during the field survey that many mosques in button masonry were demolished and new ones were built instead. The situation is nearly similar for the village chambers. Thus, these edifices identified by us in the field survey constitute a very small part of the buildings constructed with the button masonry surviving to the present. Some of the edifices identified were published by us before. However, the mills, hans, madrassah and school buildings have been handled for the first time in this study. Thus, all the buildings which have been constructed in the region through the technique button masonry will be assessed collectively in this paper. The population living in the villages of Akseki has decreased considerably due to the economic reasons. Some of the villages are completely deserted. This situation leads the buildings to stay out of life and collapse. In the upcoming period, the village economy based on animal husbandry should be revived and these environmentally friendly local people should be returned to their villages. This will be one of the vital steps that supports the health of button buildings in the villages. In addition, these cases unique to Akseki should be restored with traditional methods in accordance with their original form in order to be presented to the touristic activities, and thus be turned into a source of income for local people. The village life should be made attractive with the steps to be taken. The transfer of these unique representatives of Turkish folk architecture and culture in Akseki to the future generations can only be achieved in this way.
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