{"title":"德国艺术背景下的卡尔·奥古斯特·森夫(1770–1838)及其在塔尔图的作品(多尔帕特)","authors":"G. Vogel","doi":"10.12697/BJAH.2017.14.03","DOIUrl":null,"url":null,"abstract":"Carl August Senff is among the most important artists of Academic Neoclassicism in the Baltic region. As drawing master at the University of Tartu, he conveyed the artistic experience he had acquired, primarily during his years in Saxony in Leipzig and Dresden, to a significant number of students. In this way, Senff established the basis for the independent development of the arts in Estonia. This essay examines Senff’s early artistic roots in Germany and draws attention to the close, personal relations with his artist friends who served as a fundamental source, guiding light, and creative impulse for his own drawing and painting throughout his life. Senff’s stylistic development began with a sentimental neoclassicism that gradually transformed into Biedermeier realism. Portraits and landscapes in various techniques were Senff’s preferred genres, especially as graphic prints. Senff’s mastery of the new technique of lithography became an important model for his many students.","PeriodicalId":52089,"journal":{"name":"Baltic Journal of Art History","volume":"14 1","pages":"53-93"},"PeriodicalIF":0.1000,"publicationDate":"2017-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Carl August Senff (1770–1838) im Kontext der Deutschen Kunst und sein Wirken in Tartu (Dorpat)\",\"authors\":\"G. Vogel\",\"doi\":\"10.12697/BJAH.2017.14.03\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Carl August Senff is among the most important artists of Academic Neoclassicism in the Baltic region. As drawing master at the University of Tartu, he conveyed the artistic experience he had acquired, primarily during his years in Saxony in Leipzig and Dresden, to a significant number of students. In this way, Senff established the basis for the independent development of the arts in Estonia. This essay examines Senff’s early artistic roots in Germany and draws attention to the close, personal relations with his artist friends who served as a fundamental source, guiding light, and creative impulse for his own drawing and painting throughout his life. Senff’s stylistic development began with a sentimental neoclassicism that gradually transformed into Biedermeier realism. Portraits and landscapes in various techniques were Senff’s preferred genres, especially as graphic prints. Senff’s mastery of the new technique of lithography became an important model for his many students.\",\"PeriodicalId\":52089,\"journal\":{\"name\":\"Baltic Journal of Art History\",\"volume\":\"14 1\",\"pages\":\"53-93\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2017-12-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Baltic Journal of Art History\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12697/BJAH.2017.14.03\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Baltic Journal of Art History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12697/BJAH.2017.14.03","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Carl August Senff (1770–1838) im Kontext der Deutschen Kunst und sein Wirken in Tartu (Dorpat)
Carl August Senff is among the most important artists of Academic Neoclassicism in the Baltic region. As drawing master at the University of Tartu, he conveyed the artistic experience he had acquired, primarily during his years in Saxony in Leipzig and Dresden, to a significant number of students. In this way, Senff established the basis for the independent development of the arts in Estonia. This essay examines Senff’s early artistic roots in Germany and draws attention to the close, personal relations with his artist friends who served as a fundamental source, guiding light, and creative impulse for his own drawing and painting throughout his life. Senff’s stylistic development began with a sentimental neoclassicism that gradually transformed into Biedermeier realism. Portraits and landscapes in various techniques were Senff’s preferred genres, especially as graphic prints. Senff’s mastery of the new technique of lithography became an important model for his many students.
期刊介绍:
THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.