收藏、空间和展示:17世纪爱尔兰印刷和手稿文化象征物质性的个案研究

Q1 Arts and Humanities
Studia Hibernica Pub Date : 2021-09-01 DOI:10.3828/sh.2021.3
Marc Caball
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引用次数: 0

摘要

在以北科克的约翰·佩西瓦尔爵士(公元1686年)的经历为中心的案例研究的基础上,认为书籍及其空间位置构成了更广泛的装饰组合中的元素,表达了文化霸权。此外,珀西瓦尔的智力多样的印刷世界与诗人兼抄写员EoghanóCaoimh(1726年)所体现的盖尔语文字的边缘化和地理相邻的领域形成了鲜明对比。尽管基廷的《Foras Feasa arÉirinn》等文本具有动态的意识形态意义,但它在1723年的英译本中首次出现在印刷品中,它象征着殖民环境中早期现代版画的文化和社会权威。参考了奥蒙德第一公爵詹姆斯·巴特勒(1688年)的图书馆,以及弗朗西斯·菲茨莫里斯(1818年)和他的妻子、克里第三伯爵和伯爵夫人阿纳斯塔西娅(1799年)在巴黎购买的书籍,以说明印刷品在爱尔兰精英读者和图书贸易赞助人中无可争议的主导地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Collection, space and display: a case-study in the symbolic materiality of print and manuscript cultures in seventeenth-century Ireland
On the basis of a case-study centred on the experience of Sir John Perceval (d.1686) of north Cork, it is argued that books and their spatial location constituted elements within a broader decorative ensemble expressive of cultural hegemony. Moreover, Perceval’s intellectually-diverse world of print is contrasted with the marginalised and geographically-adjacent sphere of Gaelic script as embodied by the poet and scribe Eoghan Ó Caoimh (d.1726). Notwithstanding the dynamic ideological significance of a text such as Keating’s Foras Feasa ar Éirinn, its first appearance in print in a 1723 English translation, is emblematic of the cultural and social authority of early modern print in a colonial milieu. Reference is made to the library of James Butler (d.1688), first duke of Ormond, and the Parisian book purchases of Francis FitzMaurice (d.1818) and his wife Anastasia (d.1799), third earl and countess of Kerry, by way of illustration of print’s uncontested dominance among elite Irish readers and patrons of the trade in books.
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来源期刊
Studia Hibernica
Studia Hibernica Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
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8
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