脱衣服和变装:阿里斯托芬的服装、仪式和女性赋权

Natalia Tsoumpra
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引用次数: 0

摘要

摘要:本文认为,利西斯特拉塔和教会中女性对服装的滥用,在凸显女性气质的同时,也显示出她们对男性的支配地位。在一个女性掌权通常被视为男性或雌雄同体的类型中,这一点尤为重要。此外,服装的使用反映了每一种虚构类型的女性政治中对女性权力的根本关注。在《利西斯特拉塔》中,服装的处理暗指仪式性做法,强调妇女对公民福利的(积极)贡献,并阐述了妇女为恢复婚姻制度和前(男性)政治秩序所做的努力。相反,在教会中,相互变装凸显了男性的无能和不育,并反映了废除婚姻和颠覆男性秩序的后果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Undressing and Cross-dressing: Costume, Ritual, and Female Empowerment in Aristophanes
Abstract:This article argues that the abuse of costume by the women in Lysistrata and Ecclesiazusae displays their dominance over the men while underscoring their femininity. This is particularly important in a genre where women in power are commonly viewed as masculine or androgynous. Furthermore, the use of costume reflects fundamental concerns about female power in each fictional type of gynecocracy. In Lysistrata the handling of costume alludes to ritualistic practices which emphasize the women’s (positive) contribution to civic welfare, and articulates the women’s efforts towards the restoration of the institution of marriage and the former (male) political order. Conversely, in Ecclesiazusae the mutual cross-dressing highlights the men’s impotence and sterility, and reflects the consequences of the abolition of marriage and the subversion of the male order.
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