{"title":"“去游泳的卷轴的故事”:通过口述历史采访和周围的元数据讲述的电影记忆和高地和岛屿电影协会的历史","authors":"Sarah Neely","doi":"10.3366/nor.2020.0204","DOIUrl":null,"url":null,"abstract":"This article draws from existing work relating to the creative writing strand of the Major Minor Cinema project, which was inspired by the surprising discovery of project's pilot study that some cinema-goers from the period of research had been inspired to write poems or stories in response to their experience of going to the Film Guild screenings. Building on an earlier publication in the journal Participations (May 2019), which largely focused on the project's use of creative methodologies and creative writing workshops as a way of exploring cinema memory, this article will consider the way which cinema memory was narrativised in project's oral history interviews and their surrounding metadata, focusing in particular on the specificities of cinema-going in rural Scotland, and taking into consideration the significance of Scotland's oral history and storytelling traditions in relation to the arrival of cinema to the Highlands and Islands.","PeriodicalId":40928,"journal":{"name":"Northern Scotland","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2020-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘The story of the reel that went for a swim’: Cinema Memory and the History of the Highlands and Islands Film Guild as Narrated through Oral History Interviews and surrounding Metadata\",\"authors\":\"Sarah Neely\",\"doi\":\"10.3366/nor.2020.0204\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article draws from existing work relating to the creative writing strand of the Major Minor Cinema project, which was inspired by the surprising discovery of project's pilot study that some cinema-goers from the period of research had been inspired to write poems or stories in response to their experience of going to the Film Guild screenings. Building on an earlier publication in the journal Participations (May 2019), which largely focused on the project's use of creative methodologies and creative writing workshops as a way of exploring cinema memory, this article will consider the way which cinema memory was narrativised in project's oral history interviews and their surrounding metadata, focusing in particular on the specificities of cinema-going in rural Scotland, and taking into consideration the significance of Scotland's oral history and storytelling traditions in relation to the arrival of cinema to the Highlands and Islands.\",\"PeriodicalId\":40928,\"journal\":{\"name\":\"Northern Scotland\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2020-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Northern Scotland\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/nor.2020.0204\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Northern Scotland","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/nor.2020.0204","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
摘要
本文借鉴了与Major Minor Cinema项目创意写作相关的现有工作,该项目的试点研究令人惊讶地发现,一些研究时期的电影院观众受到启发,根据他们去电影协会放映的经历,创作诗歌或故事。在《参与》杂志(2019年5月)早期发表的一篇文章的基础上,本文将考虑电影记忆在项目口述历史采访中的叙述方式及其周围的元数据,特别关注苏格兰农村电影的特殊性,并考虑到苏格兰口述历史和讲故事传统对电影进入高地和岛屿的重要性。
‘The story of the reel that went for a swim’: Cinema Memory and the History of the Highlands and Islands Film Guild as Narrated through Oral History Interviews and surrounding Metadata
This article draws from existing work relating to the creative writing strand of the Major Minor Cinema project, which was inspired by the surprising discovery of project's pilot study that some cinema-goers from the period of research had been inspired to write poems or stories in response to their experience of going to the Film Guild screenings. Building on an earlier publication in the journal Participations (May 2019), which largely focused on the project's use of creative methodologies and creative writing workshops as a way of exploring cinema memory, this article will consider the way which cinema memory was narrativised in project's oral history interviews and their surrounding metadata, focusing in particular on the specificities of cinema-going in rural Scotland, and taking into consideration the significance of Scotland's oral history and storytelling traditions in relation to the arrival of cinema to the Highlands and Islands.