学会看绦虫:博物学家Charles Bonnet和艺术家Henrik Plötz

IF 0.4 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Lianne McTavish
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引用次数: 0

摘要

摘要:博物学家Charles Bonnet在1750年、1777年和1780年写了三本关于绦虫的出版物,现在基本上被遗忘了。本文考虑了这些文本如何揭示研究肠道蠕虫的挑战和用于检查绦虫的实践。博内特1777年的出版物内容特别丰富,因为它罕见而详细地描述了一位艺术家与博物学家一起进行研究的情况。Bonnet解释了丹麦艺术家Henrik Plötz如何操纵、描述、放大和绘制绦虫碎片,以帮助这位博物学家用肉眼更清楚地看到它们。通常与18世纪自然主义有关的细心观察在他们辨别绦虫解剖结构的努力中发挥了越来越小的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Learning to See Tapeworms: Naturalist Charles Bonnet and Artist Henrik Plötz
Abstract:Naturalist Charles Bonnet wrote three publications on the tapeworm—in 1750, 1777, and 1780—now largely forgotten. This article considers how these texts reveal both the challenges of researching intestinal worms and the practices used to examine tapeworms. Bonnet's publication of 1777 is particularly informative as it provides a rare and detailed account of an artist conducting research alongside the naturalist. Bonnet explains how the Danish artist Henrik Plötz manipulated, described, magnified, and drew tapeworm fragments to help the naturalist see them more clearly with the naked eye. The attentive observation often associated with eighteenth-century naturalism played a diminished role in their efforts to discern the tapeworm's anatomy.
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来源期刊
EIGHTEENTH-CENTURY STUDIES
EIGHTEENTH-CENTURY STUDIES HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
74
期刊介绍: As the official publication of the American Society for Eighteenth-Century Studies (ASECS), Eighteenth-Century Studies is committed to publishing the best of current writing on all aspects of eighteenth-century culture. The journal selects essays that employ different modes of analysis and disciplinary discourses to explore how recent historiographical, critical, and theoretical ideas have engaged scholars concerned with the eighteenth century.
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