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引用次数: 1
摘要
摘要:本文考察了21世纪初乌托邦主义的现状。历史上许多最令人难忘的乌托邦都代表了对现状的令人信服的替代。然而,本文利用乌托邦学术理论,将千禧年的乌托邦主义理论化,这种乌托邦主义已经被新自由主义、自由市场的现状所吸收,尤其是当代的“创新经济”、企业品牌和“多元文化”营销修辞,这些都采用了过去革命者的语言。这场讨论是通过科尔森·怀特黑德的小说《Apex Hides the Hurt》(2006)的镜头进行的,该小说批评了这种伪乌托邦主义,支持更进步的替代方案。
Branded Communities: Colson Whitehead’s Apex Hides the Hurt and the Struggle for Utopia in the New Millennium
ABSTRACT:This paper examines the state of utopianism in the early years of the twenty-first century. Many of history’s most memorable utopias have represented compelling alternatives to the status quo. However, this paper draws on utopian scholarship to theorize a millennial utopianism that has been absorbed by the neoliberal, free-market status quo—especially the contemporary “innovation economy,” its corporate branding, and its “multicultural” marketing rhetoric— which has co-opted the language of past revolutionaries. This discussion takes place through the lens of Colson Whitehead’s novel Apex Hides the Hurt (2006), which critiques this pseudo-utopianism in favor of a more progressive alternative.
ConfigurationsArts and Humanities-Literature and Literary Theory
CiteScore
0.50
自引率
0.00%
发文量
33
期刊介绍:
Configurations explores the relations of literature and the arts to the sciences and technology. Founded in 1993, the journal continues to set the stage for transdisciplinary research concerning the interplay between science, technology, and the arts. Configurations is the official publication of the Society for Literature, Science, and the Arts (SLSA).