放大画:分类建议

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY
A. Bonilla, José Manuel Barros García, S. M. Rey
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引用次数: 1

摘要

放大绘画的概念是指扩展架上绘画的支撑及其构图空间的技术,以模拟与原画的连续性。扩大支持被认为是具有巨大文献影响力的历史性补充,因此做出保护决定需要承担重大责任。此外,添加可能是绘画在特定社会群体或网络中发挥作用的关键,因此,为了促进正确的决策,了解绘画被放大的原因至关重要。本研究的目的是根据放大的目的,对放大画进行分类。分类包括以下类别:更新图片、适应新的空间和/或新的框架、完成残缺不全的绘画、改变图像、放大以创作独立的作品,以及将绘画分组在一起。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Enlarged paintings: a proposal for classification
The concept of enlarged painting refers to the technique of extending the support of an easel painting as well as its compositional space, to simulate a continuity with the original painting. Enlargements of support are considered historical additions with a huge documentary weight, so making decisions about their conservation entails great responsibility. Furthermore, additions can be key for a painting to fulfil its function within a certain social assemblage or network, so to promote correct decision making, it is vital to know the reasons why a painting was enlarged. The aim of this research has been to develop a classification of enlarged paintings, according to the purpose of the enlargement. The classification includes the following categories: updating pictures, adaptation to a new space and/or a new frame, completing mutilated paintings, changes in iconography, enlargement in order to create independent works, and grouping paintings together.
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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