{"title":"探索“迷魂”的变化轮廓","authors":"J. M. George","doi":"10.1558/imre.21392","DOIUrl":null,"url":null,"abstract":"By the phrase “disenchantment of the world” (Entzauberung der Welt), Max Weber meant: i) an understanding of the world increasingly by reference to natural forces, physical laws, and mechanical principles than to magical and supernatural powers; and ii) a development within religion from magic to rationalized paths to salvation devoid of magic. However, restricting exploration on enchantment, disenchantment, and re-enchantment to scholarly and historically specific meanings would exclude a large terrain of ordinary, non-religious human experience. The semantic flexibility of the terms enables one to explore a spectrum of so-called substitutive sources of re-enchantment: psyche, death, love, art, history, nature, and so on. To designate secular sources of enchantment exclusively as re-enchantments would restrict them to being substitutes to the religious. Further, not all religious imagination is enchanting; the nature of enchantment varies across the ideational spectrum of religious world views, and this article briefly examines the internal gradations. Based on its exploratory expansiveness vis-à-vis such diverse phenomena, the article argues that every object, entity, and experience is a potential source of enchantment, that enchantment and disenchantment in a larger sense have to do with the perspective one might bring to an otherwise inert world, and that enchantment occurs at the conjunction of the subject and the object.","PeriodicalId":53963,"journal":{"name":"Implicit Religion","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Exploring the Changing Contours of “Enchantment”\",\"authors\":\"J. M. George\",\"doi\":\"10.1558/imre.21392\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"By the phrase “disenchantment of the world” (Entzauberung der Welt), Max Weber meant: i) an understanding of the world increasingly by reference to natural forces, physical laws, and mechanical principles than to magical and supernatural powers; and ii) a development within religion from magic to rationalized paths to salvation devoid of magic. However, restricting exploration on enchantment, disenchantment, and re-enchantment to scholarly and historically specific meanings would exclude a large terrain of ordinary, non-religious human experience. The semantic flexibility of the terms enables one to explore a spectrum of so-called substitutive sources of re-enchantment: psyche, death, love, art, history, nature, and so on. To designate secular sources of enchantment exclusively as re-enchantments would restrict them to being substitutes to the religious. Further, not all religious imagination is enchanting; the nature of enchantment varies across the ideational spectrum of religious world views, and this article briefly examines the internal gradations. Based on its exploratory expansiveness vis-à-vis such diverse phenomena, the article argues that every object, entity, and experience is a potential source of enchantment, that enchantment and disenchantment in a larger sense have to do with the perspective one might bring to an otherwise inert world, and that enchantment occurs at the conjunction of the subject and the object.\",\"PeriodicalId\":53963,\"journal\":{\"name\":\"Implicit Religion\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-10-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Implicit Religion\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1558/imre.21392\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Implicit Religion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/imre.21392","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 0
摘要
马克斯·韦伯所说的“对世界的祛魅”(Entzauberung der Welt)的意思是:i)对世界的理解越来越多地参考自然力、物理定律和机械原理,而不是魔法和超自然力量;以及ii)宗教内部从魔法到无魔法救赎的合理化道路的发展。然而,将对附魔、祛魅和再附魔的探索限制在学术和历史特定意义上,将排除大量普通、非宗教的人类经验。这些术语的语义灵活性使人们能够探索一系列所谓的重新附魔的替代来源:心理、死亡、爱情、艺术、历史、自然等等。将世俗的附魔来源专门指定为重新附魔将限制它们成为宗教的替代品。此外,并非所有的宗教想象都是迷人的;在宗教世界观的概念范围内,魅力的性质各不相同,本文简要地考察了其内部的等级。基于对这种多样现象的探索性扩展,文章认为,每一个物体、实体和体验都是迷人的潜在来源,在更大的意义上,迷人和祛魅与一个人可能给一个原本惰性的世界带来的视角有关,而迷人发生在主体和客体的结合处。
By the phrase “disenchantment of the world” (Entzauberung der Welt), Max Weber meant: i) an understanding of the world increasingly by reference to natural forces, physical laws, and mechanical principles than to magical and supernatural powers; and ii) a development within religion from magic to rationalized paths to salvation devoid of magic. However, restricting exploration on enchantment, disenchantment, and re-enchantment to scholarly and historically specific meanings would exclude a large terrain of ordinary, non-religious human experience. The semantic flexibility of the terms enables one to explore a spectrum of so-called substitutive sources of re-enchantment: psyche, death, love, art, history, nature, and so on. To designate secular sources of enchantment exclusively as re-enchantments would restrict them to being substitutes to the religious. Further, not all religious imagination is enchanting; the nature of enchantment varies across the ideational spectrum of religious world views, and this article briefly examines the internal gradations. Based on its exploratory expansiveness vis-à-vis such diverse phenomena, the article argues that every object, entity, and experience is a potential source of enchantment, that enchantment and disenchantment in a larger sense have to do with the perspective one might bring to an otherwise inert world, and that enchantment occurs at the conjunction of the subject and the object.