{"title":"法医环境中的戏剧治疗家庭面具协议:参与者和治疗师体验","authors":"Barbara A. Bornmann","doi":"10.1386/dtr_00111_7","DOIUrl":null,"url":null,"abstract":"In this clinical commentary, steps of a Drama Therapy Family Mask Protocol, implemented in a carceral setting, are discussed, using a case example. Steps include: mask making, ‘intermingling’, reparative family drama and participant reflection. Masks as a projective technique may provide a greater sense of safety in a forensic setting to support the participant’s experience while exploring their family drama. An autoethnographic response to the implementation of this protocol is processed through art and written response.","PeriodicalId":42254,"journal":{"name":"Drama Therapy Review","volume":" ","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Drama Therapy Family Mask Protocol in a forensic setting: Participant and therapist experience\",\"authors\":\"Barbara A. Bornmann\",\"doi\":\"10.1386/dtr_00111_7\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this clinical commentary, steps of a Drama Therapy Family Mask Protocol, implemented in a carceral setting, are discussed, using a case example. Steps include: mask making, ‘intermingling’, reparative family drama and participant reflection. Masks as a projective technique may provide a greater sense of safety in a forensic setting to support the participant’s experience while exploring their family drama. An autoethnographic response to the implementation of this protocol is processed through art and written response.\",\"PeriodicalId\":42254,\"journal\":{\"name\":\"Drama Therapy Review\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2022-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Drama Therapy Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/dtr_00111_7\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Drama Therapy Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/dtr_00111_7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
Drama Therapy Family Mask Protocol in a forensic setting: Participant and therapist experience
In this clinical commentary, steps of a Drama Therapy Family Mask Protocol, implemented in a carceral setting, are discussed, using a case example. Steps include: mask making, ‘intermingling’, reparative family drama and participant reflection. Masks as a projective technique may provide a greater sense of safety in a forensic setting to support the participant’s experience while exploring their family drama. An autoethnographic response to the implementation of this protocol is processed through art and written response.