{"title":"“无限的他者”:凯瑟琳·M·瓦伦特青年小说中的神话与中东民俗","authors":"T. Michals, Fizza Fatima","doi":"10.1353/chq.2022.0028","DOIUrl":null,"url":null,"abstract":"Abstract:Catherynne M. Valente breaks up and remakes the Orientalist map of Anglo-American fantasy through a process of aggressive revision that she calls \"mythpunk.\" Like her predecessors, Valente borrows images from Middle Eastern folklore, but her mixing and re-remixing of global cultural traditions is value neutral. She does not use images from any one region of the world to represent cultural superiority or inferiority, or to demarcate opposing sides in a battle between good and evil. Her mythpunk approach to fantasy rejects the binary thinking that structures much of C.S. Lewis' influential Chronicles of Narnia—but it at the same time, it engages deeply with the element of cultural syncretism that Lewis himself also includes.","PeriodicalId":40856,"journal":{"name":"Childrens Literature Association Quarterly","volume":"47 1","pages":"176 - 190"},"PeriodicalIF":0.1000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"Infinite Others\\\": Mythpunk and Middle-Eastern Folklore in Catherynne M. Valente's Young Adult Novels\",\"authors\":\"T. Michals, Fizza Fatima\",\"doi\":\"10.1353/chq.2022.0028\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Catherynne M. Valente breaks up and remakes the Orientalist map of Anglo-American fantasy through a process of aggressive revision that she calls \\\"mythpunk.\\\" Like her predecessors, Valente borrows images from Middle Eastern folklore, but her mixing and re-remixing of global cultural traditions is value neutral. She does not use images from any one region of the world to represent cultural superiority or inferiority, or to demarcate opposing sides in a battle between good and evil. Her mythpunk approach to fantasy rejects the binary thinking that structures much of C.S. Lewis' influential Chronicles of Narnia—but it at the same time, it engages deeply with the element of cultural syncretism that Lewis himself also includes.\",\"PeriodicalId\":40856,\"journal\":{\"name\":\"Childrens Literature Association Quarterly\",\"volume\":\"47 1\",\"pages\":\"176 - 190\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Childrens Literature Association Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/chq.2022.0028\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Childrens Literature Association Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/chq.2022.0028","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
"Infinite Others": Mythpunk and Middle-Eastern Folklore in Catherynne M. Valente's Young Adult Novels
Abstract:Catherynne M. Valente breaks up and remakes the Orientalist map of Anglo-American fantasy through a process of aggressive revision that she calls "mythpunk." Like her predecessors, Valente borrows images from Middle Eastern folklore, but her mixing and re-remixing of global cultural traditions is value neutral. She does not use images from any one region of the world to represent cultural superiority or inferiority, or to demarcate opposing sides in a battle between good and evil. Her mythpunk approach to fantasy rejects the binary thinking that structures much of C.S. Lewis' influential Chronicles of Narnia—but it at the same time, it engages deeply with the element of cultural syncretism that Lewis himself also includes.