历史的重量:一部自传体考古学的视觉叙事

IF 0.6 0 ARCHAEOLOGY
M. Starzmann, Leila Papoli-Yazdi
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引用次数: 1

摘要

为了将普通人的经历置于更大的历史结构中,本文从创新的史学方法中获得了灵感,特别是“来自下方的历史”。在对书写历史的实践进行了介绍性思考后,我们追溯了伊朗政治史上三代人经历的几个不同但相互关联的时刻。我们的文本叙事伴随着艺术渲染,这不仅鼓励读者识别可以访问过去的不同形式,还邀请他们将历史作为故事情节的积累来体验。800x600 Normal 0 false false EN-US ZH-CN AR-SA MicrosoftInternetExplorer4
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Weight of History: Visual Narratives for an Autobiographic Archaeology
In an attempt at situating the experiences of common people within larger historical structures, this paper takes inspiration from innovative historiographical approaches, in particular "history from below". After introductory thoughts on the practice of writing history, we trace several distinct yet interconnected moments in the political history of Iran that have unfolded over the course of three generations. Our textual narrative is accompanied by an artistic rendering, which not only encourages readers to recognize different formats through which the past can be accessed, but also invites them to experience history as an accumulation of storylines.  800x600 Normal 0 false false false EN-US ZH-CN AR-SA MicrosoftInternetExplorer4
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来源期刊
CiteScore
1.20
自引率
0.00%
发文量
14
期刊介绍: The Journal of Contemporary Archaeology is the first dedicated, international, peer-reviewed journal to explore archaeology’s specific contribution to understanding the present and recent past. It is concerned both with archaeologies of the contemporary world, defined temporally as belonging to the twentieth and early twenty-first centuries, as well as with reflections on the socio-political implications of doing archaeology in the contemporary world. In addition to its focus on archaeology, JCA encourages articles from a range of adjacent disciplines which consider recent and contemporary material-cultural entanglements, including anthropology, art history, cultural studies, design studies, heritage studies, history, human geography, media studies, museum studies, psychology, science and technology studies and sociology. Acknowledging the key place which photography and digital media have come to occupy within this emerging subfield, JCA includes a regular photo essay feature and provides space for the publication of interactive, web-only content on its website.
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