给弥尔顿的夏娃命名

IF 0.1 2区 文学 0 POETRY
James Nohrnberg
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引用次数: 0

摘要

摘要:本文探讨了《失乐园》对第一位女性身份的固定,从亚当和上帝最初的“准洗礼”言语行为,到夏娃对传说中堕落或被征服的女性、英雄和女英雄的类比,再到夏娃的名字与悲伤的Miltonic Fall主题和失乐园中的“活着”一词的关系。如果古典典故和公认的文学主题似乎将夏娃带入了一个致命的过去,或者预示着一个悲惨或注定要失败的未来,米尔顿也明确表示“理性也是选择”,我们必须暂停对既定结论的怀疑——也就是说,支持自由意志——直到亚当和夏娃对自己的致命选择进行了推理(并做出)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Naming Milton's Eve
abstract:The present article explores Paradise Lost's fixing on the identity of the first woman, as given and found in her name, from Adam's and God's initial, "quasi-baptismal" speech-acts, to Eve's analogization to legendary fallen or vanquished females, heroes, and heroines, to Eve's name in relation to both the Miltonic Fall-motif of woe and the word "live" in Paradise Lost. If classical allusions and received literary motifs seem to draw Eve into a fatal past, or to anticipate a tragic or doomed future, Milton also makes clear that "reason is also choice," and we must suspend disbelief in foregone conclusions—that is, in favor of free will—until Adam and Eve have reasoned about (and made) their own fatal choices.
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来源期刊
Milton Studies
Milton Studies POETRY-
CiteScore
0.40
自引率
50.00%
发文量
12
期刊介绍: Milton Studies is published annually by the University of Pittsburgh Press as a forum for Milton scholarship and criticism.
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