弗朗西斯·斯科特·菲茨杰拉德,教育清教主义与后现代道德之间

Raquel Cercós i Raichs, C. V. Torrano
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引用次数: 0

摘要

本文回顾了第一次世界大战(1914-1918)的经历对美国这一代人意味着什么,他们推动了弗朗西斯·斯科特·菲茨杰拉德(1896年-1940年)所说的“爵士乐时代”,这一时期对应于20世纪20年代的十年,直到1929年。它关注这位美国作家的小说,以追溯一种新道德的出现,这种道德侵蚀了拓荒者时代的教学清教主义。这一变化为基督教学生的理想带来了一个新的教育视野,基督教学生曾代表普林斯顿大学等大学机构,在参军前,普林斯顿大学的教室超过了我们的主角。这是一部关于文学一代的教育编年史,在20世纪20年代访问欧洲后,这一代文学打破了圣经故事的传统,并期待着后现代道德。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Francis Scott Fitzgerald, entre el puritanismo pedagógico y la moral postmoderna
This article reviews what the experience of the First World War (1914-1918) meant for the American generation that promoted what Francis Scott Fitzgerald (1896-1940) called «Jazz Age», period corresponding to the decade of the twenties until the crack of 1929. It attends the novels of this American writer to trace the emergence of a new moral that eroded the pedagogical puritanism of the time of the pioneers. This change brought a new educational horizon away from the ideal of the Christian student that had represented university institutions such as Princeton, whose classrooms passed our protagonist before joining the army. It is a pedagogical chronicle of a literary generation that, after visiting Europe in the 1920s, broke with the tradition of the biblical story, with which it anticipated postmodern morality.
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