自然母亲:互文性研究

A. Hernando
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引用次数: 0

摘要

1887年,Emilia Pardo Bazan出版了《自然之歌》(La madre naturalez a),这是他一年前创作并出版的主要作品《乌洛阿》(Los Pazos de Ulloa)的第二部分。从那时起,一个多世纪后,这两部小说在形式、主题或创作方面继续吸引着评论家和学者的兴趣。本研究的目的是从互文性的角度来分析赦免者的作品。一旦定义了这些文本关系,我们就打算更广泛、更深入地理解创作过程以及作者在创作《自然之歌》时的意图。在整个研究过程中,我们将展示作者在多大程度上是基于思潮、传统和具体的文学模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
La madre naturaleza: Un estudio de intertextualidad
In 1887 Emilia Pardo Bazan published La madre naturalez a as the second part of his major work, Los Pazos de Ulloa , written and published just a year earlier. Since that time, more than a century later, both novels continue to attract the interest of critics and scholars in terms of formal, thematic or creation aspects. The purpose of this study is to analyze the pardobacian work in terms of intertextuality. Once defined these textual relations, we intend to achieve broader and deeper understanding of the creative process as well as the intent of the author in writing La madre naturaleza . Throughout this study we will show how much the writer is based on trends of thought, tradition, and concrete literary models.
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