大银幕电影在南非的生存

Q3 Arts and Humanities
D. Brown
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引用次数: 0

摘要

摘要:在海德的统治下,南非电影制作人被边缘化,如今他们正在制作故事片,但主要是小屏幕电影。为数不多的为电影制作院线电影的人在制作和将电影推向市场方面面临着巨大的系统性挑战,尤其是有色人种电影制作人,尤其是那些处于种族、性别和性取向边缘的电影制作人。通过参考尼日利亚的发展,并通过分析韩国电影业的历史和当代发展,本文提出了一些与内容创作和扩大大屏幕电影基础设施以改造和发展南非电影有关的实际建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Survival of Big-Screen Cinema in South Africa
Abstract:South African filmmakers who were marginalized from the film industry under apart-heid are today making feature films but primarily for the small screen. The few making theatrical films for cinema face massive systemic challenges to produce and get their films to market, in particular filmmakers of color and especially those on the margins of race, gender, and sexual orientation. By referring to developments in Nigeria and by analyzing historical and contemporary developments in the South Korean film industry, some practical propositions are presented in this paper in relation to content creation and the expansion of the big-screen cinema infrastructure to transform and grow South African cinema.
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来源期刊
Black Camera
Black Camera FILM, RADIO, TELEVISION-
CiteScore
0.30
自引率
0.00%
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0
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