人类状况的方方面面：对前赌博成瘾者的一些艺术记录和民族戏剧解读

IF 0.2 0 THEATER

Applied Theatre Research Pub Date : 2023-06-01 DOI:10.1386/atr_00076_1

J. Shu

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引用次数: 0

摘要

本文旨在展示一个民族戏剧剧本，讲述一个赌博丈夫应对经济困难和家人情绪反应的故事。该研究人员以合作编剧的身份参与了该项目，协助一名设计总监，该总监领导了香港一家咨询服务机构推荐的一群前赌博成瘾者及其家人。民族剧场从采访和设计会议中生成、解释和调解数据，并展示了一个痛苦的故事，讲述了一名出租车司机的垮台，他通过赌博轻松赚钱，最终负债累累，不得不向妻子要钱。文章还讨论了现实和真理，作为艺术研究的解释视角。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Facets of human conditions: Some artistic records and ethnotheatrical interpretations of ex-gambling addicts

This article aims to display an ethnodrama playscript with the story of a gambling husband coping with his financial struggle and his family’s emotional reactions. The researcher was involved as collaborating playwright in the project, assisting a devising director who led a group of ex-gambling addicts and their family members referred by a Hong Kong counselling service. The ethnotheatre generated, interpreted and mediated data from interviews and devising sessions, and exhibited a painful story about the downfall of a taxi driver who earned easy money by betting and ended up in heavy debt, having to resort to begging his wife for money. The article also includes a discussion on reality and truth, as interpretation perspectives in arts-based research.

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来源期刊

Applied Theatre Research THEATER-

CiteScore

0.70

自引率

50.00%

发文量

期刊介绍： Applied Theatre Research is the worldwide journal for theatre and drama in non-traditional contexts. It focuses on drama, theatre and performance with specific audiences or participants in a range of social contexts and locations. Contexts include education, developing countries, business and industry, political debate and social action, with children and young people, and in the past, present or future; locations include theatre which happens in places such as streets, conferences, war zones, refugee camps, prisons, hospitals and village squares as well as on purpose-built stages. The primary audience consists of practitioners and scholars of drama, theatre and allied arts, as well as educationists, teachers, social workers and community leaders with an awareness of the significance of theatre and drama, and an interest in innovative and holistic approaches to theatrical and dramatic production, learning and community development. Contributors include eminent and experienced workers and scholars in the field, but cutting-edge contemporary and experimental work from new or little-known practitioners is also encouraged. This double-blind peer-reviewed journal has a global focus and representation, with an explicit policy of ensuring that the best and most exciting work in all continents and as many countries as possible is represented and featured. Cultural, geographical, gender and socio-economic equity are recognised where possible, including in the Review Board.