NFT或现成反向

IF 0.4 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

OCTOBER Pub Date : 2021-04-10 DOI:10.1162/OCTO_A_00419

D. Joselit

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引用次数: 8

摘要

现代和当代艺术重新定义了信息和物质之间的关系。无论是在现成的艺术品和商品类别的混乱中，还是在概念艺术将物质转化为信息的过程中，艺术品都嵌入了动态的多媒体话语中。NFT，或不可替代的代币，通过劫持艺术类别，将其视为设计一种新资产类别的工具，扭转了当代艺术的悠久谱系，这种工具已经成熟，可以进行大量投机。简言之，现成的作品——其目的是证明艺术品在从一个话语类别转移到另一个类别时的可替代性——已经被推翻了。

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NFTs, or The Readymade Reversed

Modern and contemporary art have redefined the relationship between information and matter. Whether in the readymade's scrambling of the categories of art and commodity or Conceptual art's translation of matter into information, the artwork is embedded in a dynamic multi-media discourse. The NFT, or non-fungible-token, reverses this long genealogy of contemporary art by hijacking the category of art as nothing more than a tool for designing a new asset class, ripe for exuberant speculation. In short, the readymade—whose purpose was to demonstrate the fungibility of artworks when shifted from one discursive category to another—has been reversed.

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来源期刊

OCTOBER HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.10

自引率

33.30%

发文量

期刊介绍： At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, media, photography, performance, sculpture, and literature. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today"s artistic, intellectual, and critical vanguard.