戏剧在中国幼儿园教育中的机遇与挑战

IF 0.2 0 THEATER
Yiou Wang, Xiuqing Qiao, Shusheng Ma
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引用次数: 0

摘要

20世纪末,随着戏剧在教育领域和创意戏剧在中国的引入,教育戏剧已成为教育领域新的实践和研究热点。然而,长期以来,儿童戏剧表演和戏剧表演训练一直是中国学前戏剧教育的主要形式,至今仍有显著影响。在这篇文章中,我们探讨了教育中的戏剧如何改善和扩大中国幼儿园教师的教学剧目,以及它如何有助于儿童的人际发展。这项基于设计的研究在一所中国幼儿园的教育工作坊中使用了戏剧形式的干预措施。通过举办这些研讨会、观察研讨会参与者以及采访教师和儿童,我们发现教育中的戏剧有助于儿童的语言学习,并有助于培养他们的个人自我意识。此外,它还提供了多种新的教学方法,从而促进了教师作为幼儿园课堂专业人员的个人成长。在幼儿园课程改革方面,本研究旨在为当前关于教学、学习和整体教育的发展和争论做出贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The opportunities and challenges of drama in education in Chinese kindergartens
With the introduction of drama in education and creative drama in China in the late twentieth century, drama in education has become a new practice and research hotspot in the field of education. However, children’s theatre performance and dramatic acting training have for a long time been the main form of Chinese preschool drama education and still have a noticeable impact. In this article, we explore how drama in education can improve and expand Chinese kindergarten teachers’ teaching repertoire and how it can contribute to children’s interpersonal development. This design-based study uses interventions in the form of drama in education workshops in a Chinese kindergarten. By undertaking these workshops, observing workshop participants and interviewing teachers and children, we have found that drama in education supports children’s language learning and helps develop their individual self-awareness. In addition, it also provides multiple new methods of teaching and thus promotes teachers’ individual growth as professionals in the kindergarten classroom. In terms of kindergarten curriculum reform, this study aims to contribute to the current developments and debates about teaching, learning and overall education.
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来源期刊
CiteScore
0.70
自引率
50.00%
发文量
6
期刊介绍: Applied Theatre Research is the worldwide journal for theatre and drama in non-traditional contexts. It focuses on drama, theatre and performance with specific audiences or participants in a range of social contexts and locations. Contexts include education, developing countries, business and industry, political debate and social action, with children and young people, and in the past, present or future; locations include theatre which happens in places such as streets, conferences, war zones, refugee camps, prisons, hospitals and village squares as well as on purpose-built stages. The primary audience consists of practitioners and scholars of drama, theatre and allied arts, as well as educationists, teachers, social workers and community leaders with an awareness of the significance of theatre and drama, and an interest in innovative and holistic approaches to theatrical and dramatic production, learning and community development. Contributors include eminent and experienced workers and scholars in the field, but cutting-edge contemporary and experimental work from new or little-known practitioners is also encouraged. This double-blind peer-reviewed journal has a global focus and representation, with an explicit policy of ensuring that the best and most exciting work in all continents and as many countries as possible is represented and featured. Cultural, geographical, gender and socio-economic equity are recognised where possible, including in the Review Board.
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