{"title":"“离开与留下”——马克西·奥贝克尔作品中的欧洲舞台","authors":"Karsten Forbrig","doi":"10.2357/FMTH-2020-0017","DOIUrl":null,"url":null,"abstract":"Abstract:Nominated for the Ingeborg-Bachmann-Prize in 2017 with her novel-essay Europas längster Sommer the German speaking novelist and playwright Margareth \"Maxi\" Obexer explores in her work three key concepts, namely identity, migration and the staging of Europe through several artistical approaches and formats. The following article will retrace chronologically some of these migration movements and representations of Europe in order to show the development of these different genres in the work of the co-founder of NIDS – Neues Institut für Dramatisches Schreiben (New Institute for Dramatic Writing). It will be demonstrated that Obexer, starting from her personal migrant experience, progressively proceeds towards an engaged writing which – despite all the critique – in the end tries to defend a European utopia based on interpersonal relationships, hospitality and exchange.","PeriodicalId":55908,"journal":{"name":"FORUM MODERNES THEATER","volume":"31 1","pages":"187 - 197"},"PeriodicalIF":0.1000,"publicationDate":"2020-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"Leaving and Remaining\\\" – The Staging of Europe in the Work of Maxi Obexer\",\"authors\":\"Karsten Forbrig\",\"doi\":\"10.2357/FMTH-2020-0017\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Nominated for the Ingeborg-Bachmann-Prize in 2017 with her novel-essay Europas längster Sommer the German speaking novelist and playwright Margareth \\\"Maxi\\\" Obexer explores in her work three key concepts, namely identity, migration and the staging of Europe through several artistical approaches and formats. The following article will retrace chronologically some of these migration movements and representations of Europe in order to show the development of these different genres in the work of the co-founder of NIDS – Neues Institut für Dramatisches Schreiben (New Institute for Dramatic Writing). It will be demonstrated that Obexer, starting from her personal migrant experience, progressively proceeds towards an engaged writing which – despite all the critique – in the end tries to defend a European utopia based on interpersonal relationships, hospitality and exchange.\",\"PeriodicalId\":55908,\"journal\":{\"name\":\"FORUM MODERNES THEATER\",\"volume\":\"31 1\",\"pages\":\"187 - 197\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-10-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"FORUM MODERNES THEATER\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2357/FMTH-2020-0017\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"FORUM MODERNES THEATER","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2357/FMTH-2020-0017","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0
摘要
摘要：2017年，德语小说家兼剧作家Margareth“Maxi”Obexer凭借小说《Europas längster Sommer》获得英格堡-巴赫曼奖提名，她在作品中通过多种艺术方法和形式探讨了三个关键概念，即身份、移民和欧洲舞台。以下文章将按时间顺序追溯一些移民运动和欧洲的表现，以展示NIDS联合创始人Neues Institut für Dramatisches Schreiben（新戏剧写作研究所）作品中这些不同流派的发展。这将表明，Obexer从她的个人移民经历开始，逐渐走向一种投入的写作——尽管有所有的批评——最终试图捍卫一个基于人际关系、热情好客和交流的欧洲乌托邦。
"Leaving and Remaining" – The Staging of Europe in the Work of Maxi Obexer
Abstract:Nominated for the Ingeborg-Bachmann-Prize in 2017 with her novel-essay Europas längster Sommer the German speaking novelist and playwright Margareth "Maxi" Obexer explores in her work three key concepts, namely identity, migration and the staging of Europe through several artistical approaches and formats. The following article will retrace chronologically some of these migration movements and representations of Europe in order to show the development of these different genres in the work of the co-founder of NIDS – Neues Institut für Dramatisches Schreiben (New Institute for Dramatic Writing). It will be demonstrated that Obexer, starting from her personal migrant experience, progressively proceeds towards an engaged writing which – despite all the critique – in the end tries to defend a European utopia based on interpersonal relationships, hospitality and exchange.
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