妖术

Q4 Arts and Humanities

Art in Translation Pub Date : 2022-01-02 DOI:10.1080/17561310.2022.2046530

Mário Barata

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引用次数: 0

摘要

摘要Barata通过对一组雕塑的研究，反思了非裔巴西黑人艺术的地位，这些雕塑曾在非裔巴西宗教社区中使用。他认为，巴西的“黑人艺术”值得研究，以便更好地了解它对巴西艺术的影响。他简要介绍了非洲的雕塑及其对现代雕塑的正式影响。巴拉塔熟悉以前关于这一主题的学术研究，引用了巴西和欧洲作家的开创性文本，如克雷诺和弗罗贝尼乌斯。

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Black Art

Abstract Barata reflects on the position of Afro-Brazilian black art through the study of a collection of sculptures, which had once been used in Afro-Brazilian religious communities. He argues that ‘black art’ in Brazil is worth studying in order to gain a better understanding of its influence on the arts in Brazil. He briefly considers sculptures from Africa and their formal influence on modern sculpture. Barata is conversant with previous scholarship on the subject, referencing seminal texts by Brazilian and European writers, such as Querino and Frobenius.

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来源期刊

Art in Translation Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.20

自引率

0.00%

发文量