音乐录影带中女性性物化的概念框架

IF 0.5 Q3 WOMENS STUDIES
Feminismos Pub Date : 2023-07-10 DOI:10.14198/fem.2023.42.02
Miren Gutiérrez, C. Ubani
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引用次数: 0

摘要

女权主义理论对女性形象的性化进行了广泛的探索。女性在音乐视频、电视剧、广告、电影、电子游戏和其他类型的视听内容中被性客体化。例如,Scholarship承认,女性在新闻、宣传和电影中的视觉对象化可能导致歧视和基于性别的暴力。视听内容尤其具有影响力,而数字内容比其他类型的内容具有更广泛、更直接的影响力。一方面,未成年人对音乐视频和其他数字内容的消费正在上升。另一方面,音乐视频影响了女孩和男孩的性别暴力和性别陈规定型观念的正常化。尽管它很重要,但到目前为止,还没有音乐视频中女性性化的概念框架。是什么元素构成了音乐视频中女性的性客体化?它包含哪些维度?能否将它们作为进一步分析的基础加以操作?基于三位性别专家对2020年YouTube上五个最受欢迎的音乐视频的文献回顾和分析,本文提供了一个可以作为参考的新框架。这个话题在平台时代尤其重要,因为一旦这些视频在公共领域上线,它们就会成为有偏见的算法决策的基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A conceptual framework of the sexual objectification of women in music videos
Feminist theory has extensively explored the sexualization of women’s images across time. Women are sexually objectified in music videos, TV series, ads, cinema, video games, and other types of audiovisual content. Scholarship has acknowledged, for instance, that women’s visual objectification in news, publicity, and cinema can lead to discrimination and gender-based violence. Audiovisual content is especially impactful, while digital content has a broader and more immediate reach than other types of content. On the one hand, the consumption of music videos and other digital content among minors is rising. On the other hand, music videos influence the normalization of gender violence and gender stereotypes in girls and boys. Despite its importance, until now, there is no conceptual framework of the sexualization of women in music videos. What elements compose the sexual objectification of women in music videos? What dimensions does it encompass? Can they be operationalized to serve as a basis for further analysis? Based on a literature review and analysis by three gender experts of five of the most popular music videos on YouTube in 2020, this article offers a new framework that can serve as a reference. This topic is especially relevant in the age of platforms because, once these videos are online in the public domain, they become the basis for biased algorithmic decision-making.
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27
审稿时长
24 weeks
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