仪式、音乐与景观隐喻

IF 0.4 0 RELIGION
Dorothy O. Shilton, E. Jablonka
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引用次数: 0

摘要

在这篇评论中,我们讨论了《仪式动物》(2021)丰富而多维的框架的两个方面,该框架可能会得到进一步发展:音乐和愉悦仪式在哈维·怀特豪斯的模式理论中的作用,以及景观模型在研究社会文化系统中的使用。我们注意到音乐和宗教仪式之间存在着强烈的跨文化联系,考虑音乐是否适合这种做法,并建议进一步研究音乐的使用如何兼顾意象和教义仪式。然后,我们描述了怀特豪斯使用的社会景观模型,并考虑了他的建议,即通过考虑不同层次的多个景观来扩展该模型。我们接受他的建议,明确包括潜在和重叠的输入网络,但认为由于相互作用的网络不是景观的外部网络,而是景观的组成部分,因此具有多个因果、约束和组成网络的单一景观可以更好地捕捉社会系统的综合性质。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Rituals, Music, and the Landscape Metaphor
In this commentary, we discuss two aspects of The Ritual Animal’s (2021) rich and multidimensional framework which may be further developed: the role of music and euphoric rituals within Harvey Whitehouse’s modes theory, and the use of the landscape model for studying sociocultural systems. We note the strong, cross-cultural association of music and religious rituals, consider the suitability of music for such practices, and suggest further research on how the use of music may accommodate both imagistic and doctrinal rituals. We then describe the social landscape model used by Whitehouse and consider his proposal to extend the model through the consideration of multiple landscapes at different levels. We accept his suggestion to explicitly include underlying and overlying networks of inputs but argue that since the interacting networks are not external to but constitutive of the landscape, a single landscape with multiple causal, constraining, and constitutive networks may better capture the integrated nature of social systems.
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CiteScore
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