{"title":"“美丽的女孩,CANELA COLOR OR MADURA JABUTICBA…”实验黑人剧院的黑人选美比赛","authors":"M. S. Oliveira","doi":"10.38047/rct.v12.n01.2020.al3.p.288.316","DOIUrl":null,"url":null,"abstract":"This article has the objective of analyzing and discussing the black beauty contests \"Rainha das Mulatas\" and \"Boneca de Pixe\" realized by the Experimental Black Theater between 1947 and 1950. From the contests destined to the black women of the city of Rio de Janeiro we wanted to analyze the objectives of the contests, who were the candidates, what differences separated the two competitions. We also emphasize the importance of pointing out the specificities of the contests, due to the organization of the same belong to an expressive space of affirmation of black identity and fight against racism during the 40s and 50s in Brazil. In this context, the issues related to the interbreeding of race, class and gender contribute to know the \"rainhas\" and \"bonecas de pixe\" of the Experimental Black Theater.","PeriodicalId":34411,"journal":{"name":"Canoa do Tempo","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“GAROTAS BONITAS, DE COR DE CANELA OU DE JABUTICABA MADURA...” Os concursos de beleza negra no Teatro Experimental do Negro\",\"authors\":\"M. S. Oliveira\",\"doi\":\"10.38047/rct.v12.n01.2020.al3.p.288.316\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article has the objective of analyzing and discussing the black beauty contests \\\"Rainha das Mulatas\\\" and \\\"Boneca de Pixe\\\" realized by the Experimental Black Theater between 1947 and 1950. From the contests destined to the black women of the city of Rio de Janeiro we wanted to analyze the objectives of the contests, who were the candidates, what differences separated the two competitions. We also emphasize the importance of pointing out the specificities of the contests, due to the organization of the same belong to an expressive space of affirmation of black identity and fight against racism during the 40s and 50s in Brazil. In this context, the issues related to the interbreeding of race, class and gender contribute to know the \\\"rainhas\\\" and \\\"bonecas de pixe\\\" of the Experimental Black Theater.\",\"PeriodicalId\":34411,\"journal\":{\"name\":\"Canoa do Tempo\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-10-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Canoa do Tempo\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.38047/rct.v12.n01.2020.al3.p.288.316\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Canoa do Tempo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.38047/rct.v12.n01.2020.al3.p.288.316","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文旨在分析和探讨1947年至1950年间实验黑人剧院举办的黑人选美比赛“Rainha das Mulatas”和“Boneca de Pixe”。从里约热内卢市黑人女性的比赛中,我们想分析比赛的目标,谁是候选人,这两项比赛的区别是什么。我们还强调指出比赛的特殊性的重要性,因为在巴西的四五十年代,比赛的组织属于肯定黑人身份和反对种族主义的表达空间。在这种背景下,与种族、阶级和性别杂交相关的问题有助于了解实验黑人剧院的“rainhas”和“bonecas de pixe”。
“GAROTAS BONITAS, DE COR DE CANELA OU DE JABUTICABA MADURA...” Os concursos de beleza negra no Teatro Experimental do Negro
This article has the objective of analyzing and discussing the black beauty contests "Rainha das Mulatas" and "Boneca de Pixe" realized by the Experimental Black Theater between 1947 and 1950. From the contests destined to the black women of the city of Rio de Janeiro we wanted to analyze the objectives of the contests, who were the candidates, what differences separated the two competitions. We also emphasize the importance of pointing out the specificities of the contests, due to the organization of the same belong to an expressive space of affirmation of black identity and fight against racism during the 40s and 50s in Brazil. In this context, the issues related to the interbreeding of race, class and gender contribute to know the "rainhas" and "bonecas de pixe" of the Experimental Black Theater.