性在Goytisolo的Antagonía

IF 1.6 Q2 COMMUNICATION
José Antonio Jódar-Sánchez
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引用次数: 1

摘要

《安塔利亚》是路易斯·戈蒂索洛的代表作。在这篇文章中,我对他的性散文进行了定量和定性的研究。通过对关键词、一致性、分散性和话语的分析,我发现Antagonía源于两个历史时期,即结束独裁统治和新的民主过渡。它的一些论述是20世纪70年代和80年代西班牙的产物。其中,我们发现性别歧视、大男子主义和恐同的话语在那个时代潜伏着。女性和酷儿经常被认为是负面的。然而,我们也发现了更多赋予女性权力的颠覆性话语。总之,我认为Goytisolo的四部曲是一部“流动的”或“过渡的”小说,因为它充满了植根于不同历史时期的矛盾话语。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sexuality in Goytisolo’s Antagonía
Antagonía is Luis Goytisolo’s masterpiece. In this article I present a quantitative and qualitative study of his prose with regards to sexuality. Through an analysis of keywords, concordances, dispersion, and discourses, I show that Antagonía feeds from two historical periods, namely the ending dictatorship and the new democratic transition. Some of its discourses are the product of the Spain of the 1970s and 80s. Among them, we find sexist, male chauvinist, and homophobic discourses latent during those times. Women and queer people are frequently characterized in a negative fashion. However, we also find more subversive discourses that empower women. In sum, I consider Goytisolo’s tetralogy a “fluid” or “transitional” novel in that it is imbued with contradictory discourses rooted in different historical periods.
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来源期刊
Journal of Language and Sexuality
Journal of Language and Sexuality Arts and Humanities-Language and Linguistics
CiteScore
3.60
自引率
9.50%
发文量
20
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