被压迫者戏剧的批判性和平教育实践:土耳其大学课堂上的困难对话

IF 0.1 4区 艺术学 0 THEATER
Gulistan Gursel-Bilgin
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引用次数: 1

摘要

摘要:本文强调了在土耳其教育环境中进行批判性和平教育实践的迫切需要。土耳其高等教育中占主导地位的传统的以教师为中心的教学法使得很难以与学生相关的方式使用批判性教学法。本研究提出,被压迫者剧场是有效利用批判性和平教育的宝贵工具和媒介,并调查了社会、文化和制度的不同社会学视角。为此,我首先解释说,和平教育必须是一项至关重要的举措,因为它本身就具有争议性和挑战性。然后详细探讨了被压迫者剧场,将其作为一种鼓舞人心的工具,来满足关键和平教育实践的愿望和挑战。最后,以土耳其大学课堂为例,说明在类似的高等教育背景下使用被压迫者戏剧的可供性和局限性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Theatre of the Oppressed for Critical Peace Education Practice: Difficult Dialogues in the Turkish University Classroom
Abstract:This article emphasizes the urgent need for critical peace education practice in Turkish educational settings. The traditional teacher-centred pedagogies dominant in Turkish higher education make it difficult to employ critical pedagogies in ways relevant to students. This study proposes Theatre of the Oppressed as an invaluable instrument and medium to effectively employ critical peace education and investigates different sociological perspectives of societies, cultures and institutions. Towards this end, I first explain that educating for peace has to be a critical initiative due to its inherently controversial and challenging nature. Theatre of the Oppressed is then explored in detail as an inspiring tool for the aspirations and challenges of critical peace education practice. Finally, an example from a Turkish university classroom is presented in order to illustrate the affordances and limitations of employing Theatre of the Oppressed in similar higher education contexts.
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