{"title":"Premeny女权主义书籍(Hana Gregorová:《女人》,19121946)","authors":"Dana Hučková","doi":"10.31577/slovlit.2022.69.3.1","DOIUrl":null,"url":null,"abstract":"Hana Gregorová’s (1885 – 1958) early work was mostly concerned with themes per-taining to women’s emancipation. Later, the author widened her scope and also dealt with the questions of social justice. Feminist instrumentalisation as outlined in her debut collection of short prose Ženy ([Women] 1912) was combined with projecting a new, better world for all the impoverished ones. Social and pedagogical (didactic) function remained a stable characteristic of her writing. As to her themes, Gregorová was mainly concerned with the depiction of the suffering women and her empathising authorial narrator was a representative figure voicing progressive ideas. Works that the author published before 1918 (but also those from the first half of the 1920s) were later significantly revised. Gregorová updated her early work in accordance with the way her opinions evolved (especially with regards to her affinity towards socialist and communist ideas) and also as a reaction to the changes in social circumstances (the end of Second World War). Analysis of the revisions the author made in the second publication of the collection Ženy (1946) had a direct impact on the poetics of the texts and in turn also influenced the literary-historical reception of the collection – a fact that is most visible in cases in which the scholars only worked with the second edition.","PeriodicalId":41971,"journal":{"name":"Slovenska Literatura","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Premeny feministickej knihy (Hana Gregorová: Ženy, 1912, 1946)\",\"authors\":\"Dana Hučková\",\"doi\":\"10.31577/slovlit.2022.69.3.1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Hana Gregorová’s (1885 – 1958) early work was mostly concerned with themes per-taining to women’s emancipation. Later, the author widened her scope and also dealt with the questions of social justice. Feminist instrumentalisation as outlined in her debut collection of short prose Ženy ([Women] 1912) was combined with projecting a new, better world for all the impoverished ones. Social and pedagogical (didactic) function remained a stable characteristic of her writing. As to her themes, Gregorová was mainly concerned with the depiction of the suffering women and her empathising authorial narrator was a representative figure voicing progressive ideas. Works that the author published before 1918 (but also those from the first half of the 1920s) were later significantly revised. Gregorová updated her early work in accordance with the way her opinions evolved (especially with regards to her affinity towards socialist and communist ideas) and also as a reaction to the changes in social circumstances (the end of Second World War). Analysis of the revisions the author made in the second publication of the collection Ženy (1946) had a direct impact on the poetics of the texts and in turn also influenced the literary-historical reception of the collection – a fact that is most visible in cases in which the scholars only worked with the second edition.\",\"PeriodicalId\":41971,\"journal\":{\"name\":\"Slovenska Literatura\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-05-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Slovenska Literatura\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31577/slovlit.2022.69.3.1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, SLAVIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Slovenska Literatura","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31577/slovlit.2022.69.3.1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, SLAVIC","Score":null,"Total":0}
引用次数: 0
摘要
Hana Gregorová(1885–1958)的早期作品主要关注与妇女解放有关的主题。后来,作者扩大了她的范围,也处理了社会正义的问题。正如她的处女作短篇散文集《泽尼》([女人]1912)中所概述的那样,女权主义工具化与为所有贫困者描绘一个新的、更美好的世界相结合。社会和教育(教学)功能仍然是她写作的一个稳定特征。在她的主题上,格雷戈罗娃主要关注苦难女性的描写,而她富有同情心的作者叙述者是表达进步思想的代表人物。作者在1918年之前出版的作品(也包括20世纪20年代上半叶的作品)后来进行了重大修订。Gregorová根据她的观点发展的方式(尤其是她对社会主义和共产主义思想的亲和力),以及对社会环境变化(第二次世界大战结束)的反应,更新了她的早期工作。对作者在文集第二次出版时所做的修改的分析对文本的诗学产生了直接影响,反过来也影响了文集的文学历史接受——这一事实在学者们只研究第二版的情况下最为明显。
Premeny feministickej knihy (Hana Gregorová: Ženy, 1912, 1946)
Hana Gregorová’s (1885 – 1958) early work was mostly concerned with themes per-taining to women’s emancipation. Later, the author widened her scope and also dealt with the questions of social justice. Feminist instrumentalisation as outlined in her debut collection of short prose Ženy ([Women] 1912) was combined with projecting a new, better world for all the impoverished ones. Social and pedagogical (didactic) function remained a stable characteristic of her writing. As to her themes, Gregorová was mainly concerned with the depiction of the suffering women and her empathising authorial narrator was a representative figure voicing progressive ideas. Works that the author published before 1918 (but also those from the first half of the 1920s) were later significantly revised. Gregorová updated her early work in accordance with the way her opinions evolved (especially with regards to her affinity towards socialist and communist ideas) and also as a reaction to the changes in social circumstances (the end of Second World War). Analysis of the revisions the author made in the second publication of the collection Ženy (1946) had a direct impact on the poetics of the texts and in turn also influenced the literary-historical reception of the collection – a fact that is most visible in cases in which the scholars only worked with the second edition.