奥匈帝国的博物馆时代:漫长的19世纪的艺术与帝国

IF 0.1 N/A ART
Samuel D. Albert
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引用次数: 0

摘要

100年那么,为什么要了解这段历史如此困难呢?Kurimay认为,对酷儿过去的记错是后共产主义的反应。共产党政权对同性恋的迫害和污名化导致了对同性恋过去的羞辱和沉默。对许多匈牙利人来说,酷儿文化似乎始于1989年。这种“集体对过去的错误记忆”产生了严重后果(234)。酷儿活动家缺乏一段可以提出他们要求的历史,极右翼政客继续认为同性恋是西方的进口。《Queer Budapest》是一本重要的书,描绘了整个二十世纪匈牙利以及中欧和东欧性镇压和性解放之间的紧张关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Museum Age in Austria-Hungary: Art and Empire in the Long Nineteenth Century
century. Why, then, has it been so difficult to know this history? Kurimay argues that the misremembering of the queer past is a post-Communist reaction. The Communist regime’s persecution and stigmatization of homosexuality led to shame and to a silencing of the queer past. For many Hungarians, queer culture seems to start in 1989. This “collective misremembering about the past” has had serious consequences (234). Queer activists have lacked a history in which they can frame their demands, and far-right politicians continue to make the case that homosexuality is a Western import. Queer Budapest is an important book that paints a complicated picture of the tensions between sexual repression and liberation throughout the twentieth century in Hungary as well as in Central and Eastern Europe.
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来源期刊
NineteenthCentury Art Worldwide
NineteenthCentury Art Worldwide Arts and Humanities-Arts and Humanities (miscellaneous)
CiteScore
0.20
自引率
0.00%
发文量
59
审稿时长
28 weeks
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