孕育新母亲身份:乔治·埃格顿主题演讲(1893)和《琥珀中的苍蝇》(1905)中的触觉交流

Q2 Arts and Humanities
Isobel Sigley
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引用次数: 0

摘要

乔治·埃格顿(George Egerton)的《基调》(Keynotes)(1893年)是新女性运动末期的一本开创性著作,在过去四十年中引起了重要的评论关注。埃格顿又出版了四卷短篇小说,受欢迎程度不断下降,最后一卷是《琥珀中的苍蝇》(1905年)。这篇文章通过评估埃格顿在两个流行和知名的早期故事《跨线》和《白精灵的咒语》(主题演讲)以及一个不太为人所知的后期故事《奶妈》(琥珀色的苍蝇)中援引触摸和物体交换的时刻作为激进化母性的手段的一致性,来解决埃格顿后期写作学术上的不足。通过触觉交流,埃格顿笔下的女性主人公建立了一个母性网络,挑战父权制的虚伪,维护她们的新女性身份。通过理解埃格顿将母性视为“新母性”,本文挑战了埃格顿写作中的本质主义主张和对传统性的指责,同时恢复了她后来出版物的文化价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Engendering New Motherhood: Tactile Exchange in George Egerton’s Keynotes (1893) and Flies in Amber (1905)
George Egerton’s Keynotes (1893) is a seminal text of the New Woman movement at the fin de siècle and has garnered significant critical attention over the last four decades. Egerton went on to publish four more volumes of short fiction, with decreasing popularity, the last being Flies in Amber (1905). This article addresses the shortage of scholarship on Egerton’s later writing by assessing the consistency with which she invokes moments of touch and object exchange as a means to radicalise motherhood in two popular and well-known early stories, “A Cross Line” and “The Spell of the White Elf” (Keynotes), and a less-known later story “Mammy” (Flies in Amber). Through tactile exchange, Egerton’s female protagonists establish a maternal network that challenges patriarchal hypocrisy and preserves their New Womanhood. By understanding Egerton’s valorisation of maternity as a “New Motherhood,” this article challenges claims of essentialism and accusations of conventionality in Egerton’s writing while reinstating the cultural value of her later publications.
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来源期刊
Victorian Popular Fictions
Victorian Popular Fictions Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
11
审稿时长
16 weeks
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