(酷儿)爱的劳动:在COVID-19及以后的时间里,在Twitch上保持“舒适健康”

IF 2.4 2区 文学 Q1 COMMUNICATION
Jordan Youngblood
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引用次数: 0

摘要

本文以一位LGBTQ+内容创作者、她的伴侣为例,探讨了Twitch平台上流媒体中“舒适健康”的理念,以及她在新冠肺炎大流行期间对欢迎酷儿观众的持续国内空间的开发。文章聚焦于2020年11月至2021年1月的一系列流媒体,首先试图将舒适健康定义为一种流媒体过程,它结合了游戏选择、流媒体风格和观众兴趣,形成了一种由亲密感、真诚感和对另类右翼心态的积极抵制驱动的体验,即使这个概念本身可能会成为一种产品或营销挂钩。对于这个特定的流媒体来说,在舒适健康的驱动下创建一个支持性的、活跃的聊天社区不可避免地会与将流媒体作为一项有利可图的事业相冲突——Twitch自己对将酷儿内容商品化以展示其明显多样性的兴趣加剧了这一过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Labor of (Queer) Love: Maintaining “Cozy Wholesomeness” on Twitch During COVID-19 and Beyond
This article explores the idea of “cozy wholesomeness” in streaming on the Twitch platform through the example of an LGBTQ+ content creator, her partner, and her development of an ongoing domestic space which welcomed queer audiences during the COVID-19 pandemic. Focusing on a span of streams from November 2020 to January 2021, the article first seeks to define cozy wholesomeness as a streaming process that combines choice of game, style of streaming, and audience interest to form an experience driven by intimacy, sincerity, and active resistance to alt-right mentalities even as the concept itself potentially becomes a product or marketing hook. For this particular streamer, producing a supportive, active chat community driven by cozy wholesomeness inevitably collides with sustaining streaming as a profitable venture—a process compounded by Twitch’s own interest in commoditizing queer content as a way of displaying its own apparent diversity.
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来源期刊
CiteScore
5.60
自引率
5.00%
发文量
49
期刊介绍: Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.
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