《他给了我那句话》:对拉乌尔·派克的采访

Q1 Arts and Humanities
Leah Mirakhor
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引用次数: 1

摘要

《我不是你的黑人》(2016)的方向来自詹姆斯·鲍德温未完成的一本名为《记住这座房子》的书的笔记,这本书讲述了他的三个朋友——梅德加·埃弗斯、马尔科姆·X和马丁·路德·金——他们的谋杀,以及他们交织的遗产。这部电影探讨了鲍德温的作品对二十世纪和二十一世纪美国政治和文化的预言性阴影。佩克汇编了鲍德温在《迪克·卡维特秀》上的采访、他1965年在剑桥的演讲以及一系列关于美国梦的平庸图像中的档案材料。多萝西·康特斯(Dorothy Counts)步行上学、暗杀黑人领袖和活动家、KKK集会以及当代尸体国家的不同形态的镜头与这一神话相矛盾。我们的谈话探讨了佩克作为电影制作人的角色以及他与鲍德温庄园的关系。此外,我们还讨论了他努力在电影的最后剪辑中加入的一系列美学选择,导演塞缪尔·L·杰克逊为电影配音,他想记录自20世纪60年代以来美国文化中的相似之处和转变,以及他因没有更多强调鲍德温的性取向而受到的一些批评。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“He Gave Me the Words”: An Interview with Raoul Peck
I Am Not Your Negro (2016) takes its direction from the notes for a book entitled “Remember this House” that James Baldwin left unfinished, a book about his three friends—Medgar Evers, Malcolm X, and Martin Luther King Jr.— their murders, and their intertwining legacies. The film examines the prophetic shadow Baldwin’s work casts on twentieth- and twenty-first-century American politics and culture. Peck compiles archival material from Baldwin’s interviews on The Dick  Cavett Show , his 1965 Cambridge lecture, and a series of banal images indexing the American dream. Juxtaposed against this mythology is footage of Dorothy Counts walking to school, the assassination of black leaders and activists, KKK rallies, and the different formations of the contemporary carceral state. Our conversation examines Peck’s role as a filmmaker and his relationship with the Baldwin estate. Additionally, we discussed a series of aesthetic choices he fought to include in the film’s final cut, directing Samuel L. Jackson as the voice for the film, the similarities and shifts he wanted to document in American culture since the 1960s, and some of the criticism he has received for not emphasizing more Baldwin’s sexuality.
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来源期刊
James Baldwin Review
James Baldwin Review Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
13
审稿时长
16 weeks
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