快进到过去:弗雷德里克·阿克曼的极端平庸和经济适用房的未来

IF 1.1 0 ARCHITECTURE
F. Biehle
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引用次数: 0

摘要

经济适用房的设计是一种与现代主义项目有着千丝万缕联系的追求。在纽约市,住房当局的成就将立即得到认可,因为他们毫不妥协地实现了现代建筑对未来的承诺——简化的外观,基本的内部安排,以及通过消除先前存在的城市结构来确定的选址。没有了现代主义的理想主义外衣,企业从一开始就被认为是反城市的。今天,低收入住房的超级街区仍然是郊区被污名化的异常现象。本文回顾了纽约市住房管理局(NYCHA)的诞生,并提出了这样一个问题:如果在1937年,随着Frederick Ackerman的First Houses和William Lescaze的Williamsburg Houses的完成,First Houses的激进平庸被接受为未来更合适的模板,情况会怎样?我们未来的城市会变得更加公平吗?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Fast Forward into the Past: Frederick Ackerman’s Radical Banality and the Affordable Housing Future That Could Have Been
Abstract The design of affordable housing is a pursuit inextricably linked to the project of modernism. In New York City the achievements of its housing authority would become immediately recognizable for their uncompromised realization of modern architecture’s promise for the future – reductive appearance, essential interior arrangements, and a siting defined by the elimination of the preexisting urban fabric. Without the idealistic cover of modernism, the enterprise can now be recognized as anti-urban from the start. Today, the superblock sites of low-income housing continue to stand alone as stigmatized suburban anomalies. This paper looks back at the birth of the New York City Housing Authority (NYCHA) and asks what if in 1937, following the completion of both First Houses by Frederick Ackerman and Williamsburg Houses by William Lescaze, it was the radical banality of First Houses that had been embraced as the more appropriate template for the future? Could our future city have become more equitable?
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来源期刊
Architecture and Culture
Architecture and Culture ARCHITECTURE-
CiteScore
0.80
自引率
0.00%
发文量
25
期刊介绍: Architecture and Culture, the international award winning, peer-reviewed journal of the Architectural Humanities Research Association, investigates the relationship between architecture and the culture that shapes and is shaped by it. Whether culture is understood extensively, as shared experience of everyday life, or in terms of the rules and habits of different disciplinary practices, Architecture and Culture asks how architecture participates in and engages with it – and how both culture and architecture might be reciprocally transformed. Architecture and Culture publishes exploratory research that is purposively imaginative, rigorously speculative, visually and verbally stimulating. From architects, artists and urban designers, film-makers, animators and poets, from historians of culture and architecture, from geographers, anthropologists and other social scientists, from thinkers and writers of all kinds, established and new, it solicits essays, critical reviews, interviews, fictional narratives in both images and words, art and building projects, and design hypotheses. Architecture and Culture aims to promote a conversation between all those who are curious about what architecture might be and what it can do.
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