{"title":"并行性与符号化的阶数（并行性动力学Ⅰ）","authors":"Frog","doi":"10.1353/ORT.2017.0017","DOIUrl":null,"url":null,"abstract":"This essay sets out an approach to parallelism in verbal art as a semiotic phenomenon that can operate at multiple orders (or levels) of signification. It examines parallelism in the sounds through which words are communicated, in language communicated by those sounds, in symbols or minimal units of narration communicated through language, and then in more complex units of narration communicated through those symbols or units. Attention is given to how these different levels of parallelism interrelate and may diverge, while revealing that parallelism at all of these levels reflects a single semiotic phenomenon.","PeriodicalId":30001,"journal":{"name":"Oral Tradition","volume":" ","pages":"-"},"PeriodicalIF":0.0000,"publicationDate":"2017-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":"{\"title\":\"Parallelism and Orders of Signification (Parallelism Dynamics I)\",\"authors\":\"Frog\",\"doi\":\"10.1353/ORT.2017.0017\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay sets out an approach to parallelism in verbal art as a semiotic phenomenon that can operate at multiple orders (or levels) of signification. It examines parallelism in the sounds through which words are communicated, in language communicated by those sounds, in symbols or minimal units of narration communicated through language, and then in more complex units of narration communicated through those symbols or units. Attention is given to how these different levels of parallelism interrelate and may diverge, while revealing that parallelism at all of these levels reflects a single semiotic phenomenon.\",\"PeriodicalId\":30001,\"journal\":{\"name\":\"Oral Tradition\",\"volume\":\" \",\"pages\":\"-\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"4\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Oral Tradition\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/ORT.2017.0017\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Oral Tradition","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/ORT.2017.0017","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Parallelism and Orders of Signification (Parallelism Dynamics I)
This essay sets out an approach to parallelism in verbal art as a semiotic phenomenon that can operate at multiple orders (or levels) of signification. It examines parallelism in the sounds through which words are communicated, in language communicated by those sounds, in symbols or minimal units of narration communicated through language, and then in more complex units of narration communicated through those symbols or units. Attention is given to how these different levels of parallelism interrelate and may diverge, while revealing that parallelism at all of these levels reflects a single semiotic phenomenon.
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