{"title":"想象中的狮子的存在:对动物化的抵抗,邪恶的想象,以及布伊特拉戈和约克滕的图画书《卡米诺之家》中的强迫消失","authors":"Laissa Rodríguez Moreno","doi":"10.1353/chq.2023.a905625","DOIUrl":null,"url":null,"abstract":"Abstract:This essay explores how Camino a Casa, written by Jairo Buitrago and illustrated by Rafael Yockteng, resists the violence (widespread during the Colombian internal conflict since 1948) and the practice of forced disappearance. The picture book serves as a counter-speech to the animalization of the people considered enemies, and the story fights against the creation of the “sinister imagination” (constantly imagining the unspeakable horror that a ‘disappeared’ person might have endured). The illustrations bond emotionally with the readers and transmit hope. Ultimately, the story can connect with a mature audience left unable to deal with emotions caused by trauma.","PeriodicalId":40856,"journal":{"name":"Childrens Literature Association Quarterly","volume":"48 1","pages":"45 - 62"},"PeriodicalIF":0.1000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Presence of the Imaginary Lion: Resistance to Animalization, Sinister Imagination, and Forced Disappearance in Buitrago and Yockteng’s Picturebook, Camino a Casa\",\"authors\":\"Laissa Rodríguez Moreno\",\"doi\":\"10.1353/chq.2023.a905625\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This essay explores how Camino a Casa, written by Jairo Buitrago and illustrated by Rafael Yockteng, resists the violence (widespread during the Colombian internal conflict since 1948) and the practice of forced disappearance. The picture book serves as a counter-speech to the animalization of the people considered enemies, and the story fights against the creation of the “sinister imagination” (constantly imagining the unspeakable horror that a ‘disappeared’ person might have endured). The illustrations bond emotionally with the readers and transmit hope. Ultimately, the story can connect with a mature audience left unable to deal with emotions caused by trauma.\",\"PeriodicalId\":40856,\"journal\":{\"name\":\"Childrens Literature Association Quarterly\",\"volume\":\"48 1\",\"pages\":\"45 - 62\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Childrens Literature Association Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/chq.2023.a905625\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Childrens Literature Association Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/chq.2023.a905625","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
摘要
摘要:本文探讨了Jairo Buitrago撰写、Rafael Yockteng插图的《家之路》(Camino a Casa)如何抵制暴力(自1948年以来哥伦比亚内部冲突期间普遍存在)和强迫失踪的做法。这本图画书是对那些被认为是敌人的人的动物化的一种反驳,这个故事与“邪恶想象”的产生作斗争(不断想象一个“消失”的人可能经历的难以形容的恐怖)。这些插图在情感上与读者联系在一起,传递着希望。最终,这个故事可以与无法处理创伤造成的情绪的成熟观众联系起来。
The Presence of the Imaginary Lion: Resistance to Animalization, Sinister Imagination, and Forced Disappearance in Buitrago and Yockteng’s Picturebook, Camino a Casa
Abstract:This essay explores how Camino a Casa, written by Jairo Buitrago and illustrated by Rafael Yockteng, resists the violence (widespread during the Colombian internal conflict since 1948) and the practice of forced disappearance. The picture book serves as a counter-speech to the animalization of the people considered enemies, and the story fights against the creation of the “sinister imagination” (constantly imagining the unspeakable horror that a ‘disappeared’ person might have endured). The illustrations bond emotionally with the readers and transmit hope. Ultimately, the story can connect with a mature audience left unable to deal with emotions caused by trauma.