{"title":"控诉情感的作者:《哈姆雷特》中的矫揉造作与宣泄","authors":"L. Hopkins","doi":"10.1080/17450918.2023.2226134","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":42802,"journal":{"name":"Shakespeare","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2023-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Indict the Author of Affection: Affectation and Catachresis in Hamlet\",\"authors\":\"L. Hopkins\",\"doi\":\"10.1080/17450918.2023.2226134\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":42802,\"journal\":{\"name\":\"Shakespeare\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-06-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Shakespeare\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17450918.2023.2226134\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Shakespeare","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17450918.2023.2226134","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
期刊介绍:
Shakespeare is a major peer-reviewed journal, publishing articles drawn from the best of current international scholarship on the most recent developments in Shakespearean criticism. Its principal aim is to bridge the gap between the disciplines of Shakespeare in Performance Studies and Shakespeare in English Literature and Language. The journal builds on the existing aim of the British Shakespeare Association, to exploit the synergies between academics and performers of Shakespeare.