{"title":"回收他者:作为后殖民空间的部落博物馆","authors":"Sofia Karliner","doi":"10.1080/13500775.2022.2234198","DOIUrl":null,"url":null,"abstract":"Abstract In this article I locate myself within the scholarly conversation on museum decolonisation through an investigation of existing literature concerning contemporary Native American museums, both mainstream and tribal. Orienting my research within the historiography of museums’ entanglement with colonialism, I examine decolonisation efforts in the United States by analysing the role of the National Museum of the American Indian (NMAI), a collaborative mainstream museum, together with smaller tribal museums and centres across the country, positing the latter group as complementary yet radical alternatives. Primarily drawing on the works of Susan Sleeper-Smith, Amy Lonetree, Amanda Cobb and Jennifer Shannon, I closely examine the histories, actors and epistemologies of contrasting approaches to Native American museology, and ultimately maintain that tribal museums come the closest to radically postcolonial spaces and are thus imperative to the wider agenda of museum decolonisation.","PeriodicalId":45701,"journal":{"name":"MUSEUM INTERNATIONAL","volume":"74 1","pages":"106 - 117"},"PeriodicalIF":0.4000,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Reclaiming the Other: Tribal Museums as Postcolonial Spaces\",\"authors\":\"Sofia Karliner\",\"doi\":\"10.1080/13500775.2022.2234198\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract In this article I locate myself within the scholarly conversation on museum decolonisation through an investigation of existing literature concerning contemporary Native American museums, both mainstream and tribal. Orienting my research within the historiography of museums’ entanglement with colonialism, I examine decolonisation efforts in the United States by analysing the role of the National Museum of the American Indian (NMAI), a collaborative mainstream museum, together with smaller tribal museums and centres across the country, positing the latter group as complementary yet radical alternatives. Primarily drawing on the works of Susan Sleeper-Smith, Amy Lonetree, Amanda Cobb and Jennifer Shannon, I closely examine the histories, actors and epistemologies of contrasting approaches to Native American museology, and ultimately maintain that tribal museums come the closest to radically postcolonial spaces and are thus imperative to the wider agenda of museum decolonisation.\",\"PeriodicalId\":45701,\"journal\":{\"name\":\"MUSEUM INTERNATIONAL\",\"volume\":\"74 1\",\"pages\":\"106 - 117\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MUSEUM INTERNATIONAL\",\"FirstCategoryId\":\"1090\",\"ListUrlMain\":\"https://doi.org/10.1080/13500775.2022.2234198\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MUSEUM INTERNATIONAL","FirstCategoryId":"1090","ListUrlMain":"https://doi.org/10.1080/13500775.2022.2234198","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Reclaiming the Other: Tribal Museums as Postcolonial Spaces
Abstract In this article I locate myself within the scholarly conversation on museum decolonisation through an investigation of existing literature concerning contemporary Native American museums, both mainstream and tribal. Orienting my research within the historiography of museums’ entanglement with colonialism, I examine decolonisation efforts in the United States by analysing the role of the National Museum of the American Indian (NMAI), a collaborative mainstream museum, together with smaller tribal museums and centres across the country, positing the latter group as complementary yet radical alternatives. Primarily drawing on the works of Susan Sleeper-Smith, Amy Lonetree, Amanda Cobb and Jennifer Shannon, I closely examine the histories, actors and epistemologies of contrasting approaches to Native American museology, and ultimately maintain that tribal museums come the closest to radically postcolonial spaces and are thus imperative to the wider agenda of museum decolonisation.
期刊介绍:
In its new revised form Museum International is a forum for intellectually rigorous discussion of the ethics and practices of museums and heritage organizations. The journal aims to foster dialogue between research in the social sciences and political decision-making in a changing cultural environment. International in scope and cross-disciplinary in approach Museum International brings social-scientific information and methodology to debates around museums and heritage, and offers recommendations on national and international cultural policies.