乔斯·多诺索,《淫荡的夜鸟》怪物,力量,暴力

Pub Date : 2021-07-01 DOI:10.2478/saec-2021-0005
Rodica Grigore
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引用次数: 0

摘要

约瑟夫·多诺索在他的小说《夜之淫鸟》(1970)中描述了一个古老而高贵的家庭Azcoitía逐渐衰败并最终消亡的特殊方式。当然,对于当代智利社会的逐渐退化,以及一个完全生活在社会习俗标志下的世界中的人际关系,这些都是智利作者一直关注的问题,所有这些都通过Humberto Peñaloza暂时写的Jerónimo和Azcoitía家庭的故事来说明。这部令人惊叹的伟大拉丁美洲小说的文本由两个紧密相连的基本问题主导:怪物和权力。根据米歇尔·福柯(Michel Foucault)的观点(在他著名的研究《疯狂史》中),怪物可能代表着对所有普遍接受的社会习俗的威胁,为读者提供了另一种类型的文学话语,这种话语破坏了先前存在的审美秩序,并揭示了当代文学本身的一些新的和原始的潜力。
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José Donoso, The Obscene Bird of Night. Monsters, Power, Violence
Abstract José Donoso described, in his novel The Obscene Bird of Night (1970), the particular way in which an old and noble family, Azcoitía, gradually decays and eventually dies out. Of course, allusions to the progressive degradation of the contemporary Chilean society, to interpersonal relations in a world living exclusively under the sign of social conventions are the constant concerns of the Chilean author and all these are illustrated through the story of Jerónimo and the Azcoitía family, tentatively written by Humberto Peñaloza. The text of this amazing and great Latin American novel is dominated by two strongly interconnected essential issues: the monster and power. The monster might represent, according to the opinions formulated by Michel Foucault (in his famous study entitled History of Madness), a threat to all the general accepted social conventions, offering to the reader another type of literary discourse, which undermines the pre-existing aesthetic order and reveals some new and original potentialities of contemporary literature itself.
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