福克纳文西特·Omnia:福克纳文集蒙达多利版的做与废

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Cinzia Scarpino
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引用次数: 0

摘要

摘要本文关注的是威廉·福克纳意大利出版史上一个研究不足的方面,即他自己和蒙达多利的意大利编辑费尔南达·皮瓦诺于1955年构思的作品集《歌剧Omnia》的出版。到1966年,经过十年的紧张编辑工作,计划出版的十卷中只有四卷出版,该项目被放弃。基于蒙大多里基金会进行的广泛档案研究,本文将展示歌剧《Omnia》出版业的崩溃是如何由几次失败造成的,包括出版商难以跟上福克纳这样一位风格复杂的作家的翻译步伐,以及蒙大多利的总编辑与皮瓦诺之间日益紧张的关系,一位非常能干而且毫不妥协的编辑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Faulkner Vincit Omnia: The Doing and Undoing of the Mondadori Edition of William Faulkner’s Collected Works
ABSTRACT This article focuses on an under-researched aspect of William Faulkner’s Italian publishing history, the publication of his collected works – the Opera Omnia – conceived by the author himself and Fernanda Pivano, his Italian editor at Mondadori, in 1955. By 1966, after a decade of intense editorial efforts, only four of the ten planned volumes had been published, and the project was abandoned. Based on extensive archival research carried out at the Mondadori Foundation, this article will demonstrate how the Opera Omnia publishing debacle was caused by several failures, including the publisher’s difficulty in keeping pace with the translation of a writer with such a complex style as Faulkner, and the growing tensions between Mondadori’s managing editors and Pivano, a highly competent and uncompromising editor.
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来源期刊
Italianist
Italianist HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
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11
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