阅读写字台:夏洛特Brontë的工具和写作工艺

IF 0.4 3区 文学 0 LITERATURE
Barbara Heritage
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引用次数: 0

摘要

摘要:羽毛笔、蘸笔、墨水、铅笔和信纸——这些都是十九世纪作家创作小说时使用的工具。这篇文章提供了一个对夏洛特Brontë的写字台的整体观察,提请注意文学评论家的同情想象力如何塑造了Brontë的创作实践的解释,以及他们的浪漫主义阅读如何无意中削弱了熟练的工艺,密集的劳动,以及她的过程中不可或缺的批判性洞察力。这种面向对象的方法来研究Brontë的手稿提供了她的写作实践的重新评估,并通过扩展,批判性的书目方法来解释其他c19女性作家的工作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reading the Writing Desk: Charlotte Brontë’s Instruments and Authorial Craft
Abstract:Quill cutters, dip pens, inks, pencils, and writing papers—these were among the supplies that C19 writers used to compose their novels. Providing a holistic look into the writing desk of Charlotte Brontë, this article calls attention to how the sympathetic imaginations of literary critics have shaped interpretations of Brontë’s authorial practice, and how their Romantic readings have inadvertently undercut the skilled craft, intensive labor, and critical discernment integral to her process. This object-oriented approach to studying Brontë’s manuscripts offers a reassessment of her writing practice, and, by extension, critical-bibliographical methods for interpreting the work of other c19 women writers.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
36
期刊介绍: Studies in Romanticism was founded in 1961 by David Bonnell Green at a time when it was still possible to wonder whether "romanticism" was a term worth theorizing (as Morse Peckham deliberated in the first essay of the first number). It seemed that it was, and, ever since, SiR (as it is known to abbreviation) has flourished under a fine succession of editors: Edwin Silverman, W. H. Stevenson, Charles Stone III, Michael Cooke, Morton Palet, and (continuously since 1978) David Wagenknecht. There are other fine journals in which scholars of romanticism feel it necessary to appear - and over the years there are a few important scholars of the period who have not been represented there by important work.
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