{"title":"14世纪布拉格圣物箱十字架上的安东尼娅·米诺尔皇家肖像浮雕","authors":"I. Ciulisová, M. Henig","doi":"10.1080/00681288.2021.1924984","DOIUrl":null,"url":null,"abstract":"The present study explores a little-studied and reinterpreted early Roman Imperial cameo depicting Antonia Minor (36 bc–ad 37), which came into the possession of the Holy Roman emperor, Charles IV of Luxembourg (1316–78), a collector of ancient gems. It was presumably by his order that the ancient cameo was set in a splendid gold reliquary cross which he commissioned after his imperial coronation to house relics of the True Cross. Thus, in the new setting, the cameo could be perceived as the divine Antonia Minor; Helena, the mother of Constantine the Great, who allegedly discovered the True Cross; or Saint Catherine, Charles’ heavenly protectress. The cross is today preserved in the Treasury of Saint Vitus Cathedral, Prague.","PeriodicalId":42723,"journal":{"name":"Journal of the British Archaeological Association","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"An Imperial Portrait Cameo of Antonia Minor in a 14th-Century Reliquary Cross in Prague\",\"authors\":\"I. Ciulisová, M. Henig\",\"doi\":\"10.1080/00681288.2021.1924984\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The present study explores a little-studied and reinterpreted early Roman Imperial cameo depicting Antonia Minor (36 bc–ad 37), which came into the possession of the Holy Roman emperor, Charles IV of Luxembourg (1316–78), a collector of ancient gems. It was presumably by his order that the ancient cameo was set in a splendid gold reliquary cross which he commissioned after his imperial coronation to house relics of the True Cross. Thus, in the new setting, the cameo could be perceived as the divine Antonia Minor; Helena, the mother of Constantine the Great, who allegedly discovered the True Cross; or Saint Catherine, Charles’ heavenly protectress. The cross is today preserved in the Treasury of Saint Vitus Cathedral, Prague.\",\"PeriodicalId\":42723,\"journal\":{\"name\":\"Journal of the British Archaeological Association\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-05-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of the British Archaeological Association\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00681288.2021.1924984\",\"RegionNum\":2,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHAEOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the British Archaeological Association","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00681288.2021.1924984","RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
An Imperial Portrait Cameo of Antonia Minor in a 14th-Century Reliquary Cross in Prague
The present study explores a little-studied and reinterpreted early Roman Imperial cameo depicting Antonia Minor (36 bc–ad 37), which came into the possession of the Holy Roman emperor, Charles IV of Luxembourg (1316–78), a collector of ancient gems. It was presumably by his order that the ancient cameo was set in a splendid gold reliquary cross which he commissioned after his imperial coronation to house relics of the True Cross. Thus, in the new setting, the cameo could be perceived as the divine Antonia Minor; Helena, the mother of Constantine the Great, who allegedly discovered the True Cross; or Saint Catherine, Charles’ heavenly protectress. The cross is today preserved in the Treasury of Saint Vitus Cathedral, Prague.