作为表演的人性

IF 1.4 1区 历史学 0 ARCHAEOLOGY
J. Barrett
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引用次数: 0

摘要

如果考古学是对历史条件的考察,参照现存的物质残留物,那么这些条件的一种特征可能是它们使不同形式的人类发展成为可能的不同方式。这种多样性的历史构造在这里是作为人与物之间的关系的方式来讨论的。这意味着考古学的实践必须质疑最近采用将考古学定义为“事物的学科”的扁平本体论的愿望。有人认为,正是通过在人类和他们所关心的各种对象之间建立的表演,不同形式的人类生命才能够定义自己。本文探讨了这一论点对考古学实践的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Humanness as performance
Abstract If archaeology is the examination of historical conditions with reference to a surviving material residue, then one way in which these conditions might be characterized is as the different ways they had enabled the development of different forms of humanness. The historical construction of this diversity is discussed here as the ways that the relationships between humans and things had been performed. This means that the practice of archaeology must question the recent desire to adopt a flat ontology that defines archaeology as the ‘discipline of things’. It is argued that it was by means of the performances established between humans and their various objects of concern that different forms of human life were able to define themselves. The implications of this argument for the practice of archaeology are explored.
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来源期刊
CiteScore
3.70
自引率
5.60%
发文量
25
期刊介绍: Archaeology is undergoing rapid changes in terms of its conceptual framework and its place in contemporary society. In this challenging intellectual climate, Archaeological Dialogues has become one of the leading journals for debating innovative issues in archaeology. Firmly rooted in European archaeology, it now serves the international academic community for discussing the theories and practices of archaeology today. True to its name, debate takes a central place in Archaeological Dialogues.
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