新的跨性别加泰罗尼亚文件：新芭蕾舞剧的普拉加（2013）

Q2 Arts and Humanities

Catalan Review Pub Date : 2017-07-07 DOI:10.3828/CATR.31.8

Jaume Martí-Olivella

{"title":"新的跨性别加泰罗尼亚文件：新芭蕾舞剧的普拉加（2013）","authors":"Jaume Martí-Olivella","doi":"10.3828/CATR.31.8","DOIUrl":null,"url":null,"abstract":"This essay considers La Plaga (2013), the documentary film directed by Neus Ballus which was awarded the Gaudi Prize for Best Film by the Catalan Motion Picture Academy in 2014. The film is studied in the context of the current upsurge of creative documentary films in Catalonia. This study emphasizes the transgressive gender representation in a film that offers a model of genre/gender bending that expands the limits of the family metaphor and its public/private boundaries. The essay also considers La Plaga as a special critique of one of Catalonia’s official master narratives, the one that presents a country based on an urban space devoid of historical markers of past and present conflict. By focsusing on Gallecs, the small piece of land that symbolizes the limits of urbanism and urbanity, the film becomes an allegorical vision of Catalonia’s cultural and geopolitical situation as a place without history, or, better put, as a place “in-between” cultures that seems to have forgotten its roots and its true ...","PeriodicalId":37617,"journal":{"name":"Catalan Review","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2017-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"EL NOU DOCUMENTAL TRANSGENÈRIC CATALÀ: LA PLAGA (2013) DE NEUS BALLÚS\",\"authors\":\"Jaume Martí-Olivella\",\"doi\":\"10.3828/CATR.31.8\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay considers La Plaga (2013), the documentary film directed by Neus Ballus which was awarded the Gaudi Prize for Best Film by the Catalan Motion Picture Academy in 2014. The film is studied in the context of the current upsurge of creative documentary films in Catalonia. This study emphasizes the transgressive gender representation in a film that offers a model of genre/gender bending that expands the limits of the family metaphor and its public/private boundaries. The essay also considers La Plaga as a special critique of one of Catalonia’s official master narratives, the one that presents a country based on an urban space devoid of historical markers of past and present conflict. By focsusing on Gallecs, the small piece of land that symbolizes the limits of urbanism and urbanity, the film becomes an allegorical vision of Catalonia’s cultural and geopolitical situation as a place without history, or, better put, as a place “in-between” cultures that seems to have forgotten its roots and its true ...\",\"PeriodicalId\":37617,\"journal\":{\"name\":\"Catalan Review\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-07-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Catalan Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/CATR.31.8\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Catalan Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/CATR.31.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}

引用次数: 1

摘要

本文考虑La Plaga(2013)，由news Ballus执导的纪录片，2014年被加泰罗尼亚电影学院授予高迪最佳电影奖。这部电影是在加泰罗尼亚当前创意纪录片热潮的背景下研究的。这项研究强调了电影中越界的性别表现，提供了一种类型/性别弯曲的模式，扩大了家庭隐喻的界限及其公共/私人界限。这篇文章还认为La Plaga是对加泰罗尼亚官方主要叙事之一的一种特殊批评，这种叙事呈现了一个基于城市空间的国家，没有过去和现在冲突的历史标志。通过关注加勒克斯，这片象征着城市化和都市化极限的小土地，这部电影成为加泰罗尼亚文化和地缘政治状况的寓言，作为一个没有历史的地方，或者，更好地说，作为一个“介于”文化之间的地方，似乎已经忘记了它的根源和真实……

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

EL NOU DOCUMENTAL TRANSGENÈRIC CATALÀ: LA PLAGA (2013) DE NEUS BALLÚS

This essay considers La Plaga (2013), the documentary film directed by Neus Ballus which was awarded the Gaudi Prize for Best Film by the Catalan Motion Picture Academy in 2014. The film is studied in the context of the current upsurge of creative documentary films in Catalonia. This study emphasizes the transgressive gender representation in a film that offers a model of genre/gender bending that expands the limits of the family metaphor and its public/private boundaries. The essay also considers La Plaga as a special critique of one of Catalonia’s official master narratives, the one that presents a country based on an urban space devoid of historical markers of past and present conflict. By focsusing on Gallecs, the small piece of land that symbolizes the limits of urbanism and urbanity, the film becomes an allegorical vision of Catalonia’s cultural and geopolitical situation as a place without history, or, better put, as a place “in-between” cultures that seems to have forgotten its roots and its true ...

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Catalan Review Arts and Humanities-Literature and Literary Theory

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： Published on behalf of the North American Catalan Society, Catalan Review accepts contributions such as research articles, translations, and book reviews dealing with all aspects of Catalan culture. The editors and editorial board are sympathetic to a broad range of theoretical and critical approaches and are strongly committed to presenting the work of talented young scholars breaking new ground in the field. Contributions should be in English or Catalan. All articles published in this journal are peer-reviewed.